EQUIPMENT RENTAL PRICING
All prices shown are exclusive of JCT.
Rental Equipment
Cameras
¥5,000 (Each)
Lenses
Lighting
¥1,000
Sale
Modifiers & Softboxes
¥Free
Stands & Accessories
¥Free
¥Free Plan
¥2000 Free with Camera Rental
¥Free Plan
¥1500, Free with Camera Rental
Audio Recording
Video Production Peripherals
¥2000
Batteries & Chargers
¥Free Plan
¥Free
¥Free
¥Free Plan
Furniture
Others
¥Free
¥3500, setup fee included
¥3500, setup fee included
¥Free
¥Free
¥Free
Cameras
¥10,000
Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic's acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.
An EF lens mount at the front of the body supports a wide range of interchangeable lenses from popular manufacturers. Directly behind the mount is an electronically controlled ND filter wheel offering 2, 4, and 6 stops of filtration for cutting down on excess light, letting you set your lens's aperture to fit the desired aesthetic of your production. For further flexibility, the IR-cut filter is defeatable for shooting in extreme low-light situations or for creative color effects.
On the back end, videos are recorded using 10-bit, 4:2:2 sampling for smooth gradations in subtle shades and a reduction in banding artifacts over 8-bit sampling. Bit rates up to 400 Mb/s are available for high image quality, though lower data rates around 150 Mb/s are available as well to save card space without an extreme image quality penalty. For the highest image quality, the EVA1 will output a 10-bit raw data stream to an external recorder via its BNC terminal. The raw data can then be processed in post-production to extract cinema-grade images with high dynamic range.
Infusing high-resolution recording into a small form factor camera body gives DPs and camera operators the flexibility to achieve cinema-grade images in spaces normally restrictive of larger camera systems. Additionally, since tactile controls and I/O connections are available on the exterior of the camera, the overall design doesn't sacrifice conventional ergonomics for traditional shooting scenarios whether operating handheld or locked down atop a tripod.
5.7K Sensor
Panasonic's 5.7K sensor is at the heart of this camera. Its high resolution allows for oversampled 4K footage, resulting in sharp images with reduced aliasing and increased color fidelity over native 4K Bayer-pattern sensors. Video is recorded on widely available SD cards, providing high-quality recording on accessible, industry-standard media. The full active resolution of the 5.7K sensor can be output via the SDI port as a 10-bit raw data stream for external recording by a compatible recorder.
Dual Native ISO
Utilizing a process that allows the sensor to be read in a fundamentally different way, Dual Native ISO extracts more information from the sensor without affecting the image in the same way as increasing the gain or shifting the gamma. This results in the EVA1 being a camera that can switch from standard sensitivity to high sensitivity with minimal, if any, impact by way of image artifacting. For further reducing noise, several noise reduction modes have been added with firmware 2.5.
V-Log and V-Gamut Capture
Combining Panasonic-developed V-Log and V-Gamut, the EVA1 can capture a wide exposure latitude and represent a wide color palette. V-Log has exposure curve characteristics that are somewhat reminiscent of negative film, while V-Gamut delivers a color space even larger than film. Having both tools enables the EVA1 to be used in production workflows for both HDR and SDR production.
Native EF Lens Mount
Panasonic chose the EF lens mount to enable shooters to natively use the broad EF lens ecosystem, encompassing many brands of lenses. The lens mount features electronic contacts for communication with compatible lenses and enables one-push autofocus.
Electronic Image Stabilization
The EVA1 can electronically compensate for vibrations induced by shooting handheld or shoulder-mounted. This feature is especially useful for documentarians and other shooters that employ the run-and-gun style.
Integrated Motorized Filters
Available in 2, 4, and 6 stops, the built-in ND filter wheel enables the camera operator to have precise control over their image. If you wish to open up your lens while maintaining a set shutter speed, the ND filters can help reduce the exposure to retain your image's highlights. The IR-cut filter can also be actuated electronically, allowing for night vision and unique photographic effects.
SD Card Recording
Proprietary media can be expensive, but the EVA1 uses relatively affordable SDXC memory to record video. V60-rated SD cards support all internal recording modes, including the 10-bit 4:2:2 4K modes. Having dual card slots means you can continuously record from card to card, or record to both cards simultaneously for a backup.
Recording Modes
The EVA1 can record in several formats and compression rates, and offers up to 10-bit 4:2:2 sampling, even at 4K resolutions. For in-camera recording, you can capture in SDI 4K (4096 x 2160), UHD 4K (3840 x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). For high-speed capture, the EVA1 offers up to 59.94 fps for 4K, up to 120 fps for 2K and Full HD, or 240 fps with an image sensor crop.
I/O
On the body of the camera you'll find dual balanced XLR audio inputs for professional shotgun microphones, lavalier microphones, and line outputs. The HDMI and SDI video outputs are 4K-capable and can each be adjusted separately, allowing for HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. The camera is also equipped with standard timecode functionality.
Included Battery and Charger
Bundled with the EVA1 is the AG-VBR59 battery, which should give approximately an hour and a half of continuous operating time and a charge time of approximately 3 hours and 20 minutes. Optional separately available VBR batteries can extend the runtime of this camera.
Built-In Monitoring Tools
As a professional video production tool, the EVA1 contains several professional imaging tools including Peaking, Expand (Image Zoom), Waveform, Zebras, and Spotmeter (Y-Get). The EVA1 also utilizes Focus Squares, a feature originally found in the VariCam line which displays an array of green squares that grow in size when their local area appears to be sharp, enabling shooters to achieve critical focus.
¥3,500
Panasonic has taken a different approach to camera development with the stills-focused DC-G9 Micro Four Thirds Mirrorless Camera, which has a variety of newly developed functions and features that will appeal to photographers. Central to the imaging process is the combination of a 20.3MP Live MOS sensor and the latest Venus Engine processor, enabling the capture of sharp images and video with sensitivities ranging up to ISO 25600. Extremely fast speeds are also made available with up to 60 fps continuous shooting with the electronic shutter function. If you want to shoot video along with stills the G9 is very accommodating, offering UHD 4K at up to 60p.
This improved speed is seen in many different aspects, including an enhanced Depth-from-Defocus autofocus system with 225 areas for fast, precise focusing across the frame. A rear joystick has been implemented as well for intuitive control over the current focus point. Another benefit of boosted processing is the inclusion of 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps, allowing users to capture 18MP or 8MP images, respectively, at exceptional frame rates. Beyond speed, the 5-axis sensor stabilization system supports Dual I.S. 2.0 and can compensate for up to six stops of camera shake. And a significant addition made possible with this new system is a multi-shot mode that captures eight separate images and compiles them into a single 80MP raw image.
It isn't just performance that has been optimized, as the G9 has a redesigned body that is splash, dust, and freezeproof. The body gains a top status LCD for quick access to essential settings without needing to check the LCD or viewfinder, which have also been improved. Most notably, the OLED viewfinder is improved with a 0.83x magnification and 3.68m-dot resolution. The EVF has a fast 120 fps refresh rate as well for lag-free viewing. Additionally, the LCD is now a 3.0" 1.04m-dot free-angle touchscreen for working intuitively and at odd angles.
20.3MP Digital Live MOS Sensor and Venus Engine
Optimized for high-speed high-resolution imaging, the G9 packs in both a 20.3MP Light MOS Micro Four Thirds sensor and an enhanced Venus Engine processor to create sharp, detailed stills and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, permitting the use of sensitivities up to ISO 25600. It is also very fast, enabling continuous shooting rates of up to 60 fps with AF-S and 20 fps with AF-C when using the G9's electronic shutter or 12 fps for AF-S and 9 fps for AF-C using the mechanical shutter.
UHD 4K Video Recording
Supplementing the camera's stellar stills feature set is UHD 4K video recording at up to 60p. The G9 offers 30p internal recording with a 10-bit color depth and 4:2:2 sampling using Long GOP compression to keep files sizes manageable. Users also have access to various frame rates, including 60p, 30p, and 24p in UHD 4K and 60p and 24p in Full HD. Slow motion video is available in the Variable Frame Rate mode with support for 60 and 48 fps resolution in UHD 4K and up to 180 fps in Full HD. Additionally, HDR recording is supported and V-Log L recording is possible with the optional DMW-SFU1 Upgrade Software Key.
In order to maximize image quality, the G9 features a full-size HDMI output for using an optional external recorder to receive 10-bit 4:2:2 footage at all resolutions up to UHD 4K at 60p. Also, both a 3.5mm headphone jack and 3.5mm microphone input are available for improving audio capture.
6K and 4K PHOTO
Utilizing the G9's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
- Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
- Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
- Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Dual I.S. 2
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the G9's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately six stops of camera shake.
Body Design and Built-In Wi-Fi
- A large OLED Live View Finder has an impressive 3.86m-dot resolution and 0.83x magnification for eye-level composition. This viewfinder also has a maximum refresh rate of 120 fps for clear, lag-free imagery.
- A larger means for image composition and playback, the 3.0" 1.04m-dot rear LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
- A backlit top status LCD provides immediate access to current settings without needing to raise the camera to eye level.
- Dual UHS-II SD card slots are present, which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which records the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
- Constructed from magnesium alloy with a die-cast frame, the G9 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
- A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
- The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, including a function lever.
- Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.
225-Area Advanced Depth-From-Defocus AF System
For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.04 seconds, which enables continuous shooting up to 20 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
80MP High Resolution Mode
By using sensor-shift stabilization technology the G9 can use a High Resolution Mode to capture and compile eight separate images to create a single 80MP raw file. This system creates a more highly detailed and color accurate image than a single shot alone can produce and can create an image with a 10368 x 7776 resolution.
Other Camera Features
- A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec, as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/32,000 sec to better enable working in bright conditions and with wider aperture settings. This shutter is rated for approximately 200,000 actuations.
- A Night Mode will automatically adjust brightness of the EVF and LCD for comfortable viewing in low-light conditions.
- An optional external USB power pack can be used to supply power to the camera via its micro-USB port.
- Depending on the lens in use, the included DMW-BLF19 battery provides approximately 380 shots per charge when using the rear monitor, or 360 with the electronic viewfinder.
- Photo Style modes: Standard, Vivid, Natural, Monochrome, L. Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
- Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.
¥5,000 (Each)
Moving the LUMIX camera range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a modular, box-style digital cinema camera with a miniature form factor, making it ideal for gimbal and drone work as well as broadcast, live streaming, vlogging, and cinema production. This box-style digital cinema camera features a 10.2MP M4/3 sensor, an MFT lens mount, and a wide 13-stop dynamic range to accommodate extreme changes in light. It records video with resolutions up to 4K60 and incorporates VariCam Look workflows such as V-Log L and Cinelike, dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and it supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny form that make it the go-to production camera in any mobile and multicamera production environment.
The BGH1 provides multiple ways to record your footage to high data rate files in the ALL-Intra Long GOP, MOV, and MP4 recording formats with H.264 and H.265/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera's dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via 3G-SDI. The camera allows you to output via HDMI and 3G-SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates up to 1080p240 for high-quality slow-motion video. Custom 3D LUTs can be uploaded into the camera using the SD card slots.
The BGH1 is also an ideal camera for multicamera environments, not only because it's highly mobile, but it includes timecode and genlock BNC ports, so you can sync up with other cameras to make syncing in post-production easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BGH1 cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet using the LUMIX Sync app. Another function integrated into the BGH1 is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BGH1 cameras. There is also a 2.5mm LANC input for an additional camera control option with an optional external controller. Audio features include high-grade 48 kHz/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized using the camera's integrated hot shoe, allowing you to record with professional microphones.
Its compact form measures less than 4" square and weighs only 1.2 lb, so it can be used on gimbals or drones for high-quality stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features four 1/4"-20 mounting threads for mounting on a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing, as well as tally lights on the front and rear. You can power the BGH1 using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment. There is also a cable lock included for keeping your camera cables secure, so they don't disconnect.
Key Features
- M4/3 10.2MP MOS sensor
- Anamorphic video support
- MFT lens mount
- 13 stops of dynamic range
- Dual native ISO
- Lightweight at 1.2 lb
- Internal fan to keep camera cool
- Measures less than 4" square for lightweight applications on drones or gimbals
- HDMI 2.0 and 3G-SDI video outputs
- Record up to 4K60 10-bit 4:2:2 to SD cards or HDMI/3G-SDI outputs simultaneously
- Unlimited recording time
- USB 3.1 Gen 1 Type-C input for control with LUMIX Tether app
- 2.5mm LANC input for camera control
- Gigabit Ethernet via RJ45 for remote control and PoE+ power support
- Direct IP streaming with a future firmware update
- Wi-Fi and Bluetooth support to control the camera using a smartphone or tablet
- Integrated stereo microphone, 3.5mm mic input, and 3.5mm headphone output
- The optional DMW-XLR1 XLR adapter can be installed using the camera's hot shoe
- Four programmable Fn buttons
- Tally lights on front and rear
- Genlock BNC input/output
- Timecode BNC input/output
- Dual SD card slots
- Included 12 VDC power adapter
- Integrated VBR battery mount
- Cable lock
Lenses
¥500
Lightweight and exceptionally compact, the silver E 16mm f/2.8 Lens from Sony is a suitable travel companion. Providing a 24mm equivalent focal length when mounted to your APS-C-format E-mount camera, this lens will allow photographers to capture wide landscapes and work in tight spaces with ease. It offers a fast maximum aperture of f/2.8 for operating in low-light conditions and it incorporates one aspherical element to combat various aberrations that may occur. Also, it has a fast and silent motor for autofocus in stills and video modes and features an internal focus design that ensures maximum performance. A seven-blade circular diaphragm is implemented as well for smooth bokeh. Additionally, it can accept optional ultra-wide and fisheye converters for getting 18mm and 15mm equivalent perspectives.
With its pancake design, the lens only extends 0.9" from the mount, resulting in a compact and lightweight camera system.
Designed for use on APS-C format cameras, this 16mm lens will provide a wide-angle perspective with a 35mm equivalent focal length of 24mm.
The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field.
One aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
The lens uses an internal focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 9.4".
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
This lens is compatible with optical wide-angle and fisheye conversion lenses, which, when used, will convert this lens into an 18mm or 15mm lens, respectively.
¥1,000
When you install this M.Zuiko Digital MC-14 1.4x Teleconverter from Olympus between a compatible lens and a Micro Four Thirds mount camera, it provides a 1.4x magnification factor to dramatically boost the apparent focal length of the lens with minimal increase to the size or weight of the camera and lens combined. Featuring a metal build that is freeze, splash, and dustproof, it utilizes six optical elements.
Lens Compatibility
- M.Zuiko Digital ED 40-150mm f/2.8 PRO (with firmware v1.3 or later)
- M.Zuiko Digital ED 100-400mm f/5-6.3 IS M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO
- M.Zuiko Digital ED 300mm f/4 IS PRO (with firmware v1.4 or later)
¥3,000
Here is a nice Angenieux 12-120mm f2.2 zoom lens. This lens revolutionized 16mm filmmaking as we know it. Compact and powerful lens used for 40+ years to achieve a crisp picture for film and TV. Is this as good as modern glass? No. But it has character and thats worth more than gold. This won't blow you away with resolution, but resolution isnt everything. These lenses make pretty pictures...period. This is a 10x12A type, used for ENG cameras. The mount requires a C-Cup adapter to make this a C-mount lens. I've also seen some people removed the "dog leg" and adapt this to PL mount with some custom machine work. With modern zooms costing thousands of dollars, this is a nice option.Great for 4/3 sensors and BMCC-type 4k/2k capture. When the Digital Bolex comes out, these will go WAY up in value. Get one now while the market is still soft. The glass on this is VERY nice. Light cleaning marks and some VERY light internal dust (typical with a 50+ year old lens).Mechanics are smooth. Aperture is smooth. Focus is smooth. Very nice specimen.
Offering long reach with an advanced feature-set and optical design, the M.Zuiko Digital ED 40-150mm f/2.8 PRO from Olympus is a versatile 80-300mm equivalent telephoto zoom for Micro Four Thirds mirrorless cameras. As part of the PRO series of advanced lenses, this zoom distinguishes itself with a bright f/2.8 constant maximum aperture for consistent illumination throughout the zoom range to suit working in a variety of lighting conditions. Its optical design makes use of a series of aspherical and low dispersion glass elements to suppress chromatic and spherical aberrations for notable sharpness and clarity, and a ZERO coating is also used to reduce flare and ghosting for high contrast, color-accurate imaging.
Complementing the optics, a dual VCM autofocus system offers fast and near-silent focusing performance to suit both stills and movie recording applications. A manual focus clutch permits quick switching between AF and MF, and a programmable L-Fn button avails lens-based control over shooting settings. The lens is also weather-sealed for working in trying conditions, and a removable rotating tripod collar is included for improved balance and support when working atop a tripod or monopod.
Telephoto zoom is designed for Micro Four Thirds mirrorless cameras and provides an 80-300mm equivalent focal length range.
Bright f/2.8 constant maximum aperture suits working in a variety of lighting conditions throughout the zoom range.
One aspherical ED (extra-low dispersion) element, two aspherical elements, one Super ED element, three ED elements, and one HD element are featured within the optical design to minimize both spherical and chromatic aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
A Dual VCM (voice coil motor) system is used for quick and near-silent autofocus performance. By separating the focusing mechanism into two groups controlled by separate linear AF motors, focus speeds are faster and the friction-free movement is notably quieter to benefit video recording.
Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust-, freeze-, and splash-proof design uses 11 separate seals to ensure the lens's performance in inclement and harsh conditions.
Rounded nine-blade diaphragm produces a smooth bokeh quality.
Removable rotating tripod collar offers a stable platform for working with this lens atop a tripod or monopod.
Included lens hood collapses back onto the lens for a more compact profile when stored.
Compatible with the optional M.Zuiko Digital MC-14 1.4x Teleconverter to further extend the reach to a 112-420mm equivalent focal length range.
¥3,000
A Micro Four Thirds lens with a not-so-micro zoom range, the Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens from Panasonic offers a truly expansive 200-800mm equivalent focal length range, yet retains a relatively compact stature to suit the Micro Four Thirds system. Characterized by its Leica branding, this sophisticated optic employs aspherical and extra-low dispersion elements to significantly reduce chromatic and spherical aberrations throughout the zoom range for a high degree of image clarity and sharpness. Also benefitting image sharpness, a POWER O.I.S. system, which is compatible with Lumix G camera's Dual I.S. function, helps to minimize the appearance of camera shake for sharper handheld shooting at longer focal lengths.
Benefitting both stills shooting and video recording, a 240 fps high-speed AF motor is both quiet and precise, and a focus limiter function can be employed to constrain the focusing range for even quicker performance. Additionally, the physical design of the lens utilizes a gapless construction that renders it both dust- and moisture-resistant for use in inclement conditions. And while its lightweight, compact form factor is suitable for handheld shooting, the 100-400mm f/4-6.3 also features a removable rotating tripod collar for fast switching between horizontal and vertical shooting orientations when working atop a monopod or tripod.
Telephoto zoom designed for Micro Four Thirds system cameras, this lens offers a 200-800mm equivalent focal length.
Designed in collaboration with Leica, the 20 elements, 13 groups optical design incorporates one aspherical extra-low dispersion element, one Ultra Extra-Low Dispersion element, and two extra-low dispersion elements. The combination of aspherical and low dispersion elements helps to reduce spherical aberrations and color fringing throughout the zoom range for improved sharpness, clarity, and color accuracy.
POWER O.I.S. mechanism helps to control camera shake for sharper handheld shooting. This system is also compatible with the Dual I.S. function in select Lumix G cameras, which more effectively minimizes the appearance of camera shake by using both sensor-shift and lens-shift type stabilization methods.
A 240 fps AF motor offers fast, precise, and near-silent focusing performance to benefit both stills shooting and video recording applications.
Focus Limiter allows you to constrain the focusing range of the lens from its minimum focusing distance to infinity, or from 16.4' to infinity.
The minimum focusing distance is 4.3', which pairs with an equivalent maximum magnification of 0.5x to support working with close-up subjects.
A rounded nine-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus and shallow depth of field techniques.
Gapless construction renders the lens both dust- and moisture-resistant to support photographing in outdoor and harsh environments.
A quick-shift, two-part rotating tripod collar permits quick switching between horizontal and vertical shooting orientations, and keeps the lens controls in the same place once rotated for more intuitive handling.
An integrated hide-away lens hood can retract around the lens when not in use, or be deployed to guard against stray light from causing unwanted lens flare and ghosting.
A zoom ring lock prevents unwanted lens creep from occurring while carrying the lens.
Dedicated levers are available to select the Focus Limiter position, AF or MF focusing methods, or to deactivate the lens-based POWER O.I.S.
¥1,500
A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. A ZERO lens coating has also been applied to improve contrast when working in strong lighting conditions. Beyond the advanced lens design, this zoom is also characterized by its constant f/2.8 maximum aperture, as well as its durable weather-sealed construction for working in a variety of conditions. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods.
Standard wide-angle to portrait-length zoom lens is designed for Micro Four Thirds mirrorless cameras and provides a 24-80mm equivalent focal length range.
Constant f/2.8 maximum aperture enables consistent low-light performance and selective focus control throughout the zoom range.
The lens construction integrates one aspherical ED (extra-low dispersion) element, two aspherical elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, one HD element, and two HR (high-refractive index) elements into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust-, freeze-, and drip-proof design ensure the lens' performance in inclement and harsh conditions.
Rounded seven-blade diaphragm produces a smooth bokeh quality.
¥3,500
A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is a 20-50mm-equivalent zoom for Micro Four Thirds mirrorless cameras. The impressively fast f/1.7 constant maximum aperture enables improved depth of field control and low-light shooting capabilities throughout the zoom range. Balancing the impressive f/1.7 performance, the optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. Complementing the optics, this lens is also characterized by its durable, weather-sealed physical design, along with a fast autofocus system, versatile focusing clutch design, and a stepless, de-clicked aperture ring to suit video applications.
Wide-to-normal zoom is designed for Micro Four Thirds mirrorless cameras and offers a 20-50mm equivalent focal length range.
Impressively bright f/1,7 constant maximum aperture excels in low-light conditions throughout the zoom range and also offers improved depth of field control.
Three aspherical elements, four extra-low dispersion elements, and one ultra high-refractive index element all combine to suppress color fringing, chromatic aberrations, and spherical aberrations for high clarity, sharpness, and color accuracy.
Fast 240 fps autofocus drive, along with an internal focusing system, delivers smooth, accurate, and quiet focusing performance to benefit both stills and video applications. Additionally, a focus clutch mechanism delivers especially quick AF/MF switching.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
¥3,500
Versatility within a short telephoto range, the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH., from Panasonic, is a 50-100mm-equivalent zoom for Micro Four Thirds mirrorless cameras. Ideal for portraiture, fashion, events, and other mid-range subjects, this lens pairs the useful focal length range with an impressively bright constant f/1.7 maximum aperture, advanced optics, and a portable form factor.
Normal-to-short-tele zoom is designed for Micro Four Thirds mirrorless cameras and offers a 50-100mm equivalent focal length range.
Super bright f/1.7 constant maximum aperture excels in low-light conditions and offers impressive depth of field control throughout the zoom range.
One aspherical element, three extra-low dispersion elements, and one ultra high-refractive index element all combine to produce well-controlled imagery void of color fringing, chromatic aberrations and spherical aberrations.
Linear AF motor, and an internal focusing system, delivers quick and quiet focusing performance along with virtually no focus breathing throughout the focusing range from 11" to infinity.
Focus clutch mechanism allows for intuitive switching between AF and MF modes, simply by sliding the focusing ring, and if paired with select Lumix cameras, Focus Ring Control can be used to tune the focus rotation feeling.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Designed to closely match the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. lens, these two zooms are nearly identical in terms of form factor and weight, share the same 77mm filter ring diameter, and have unified color rendering for seamless switching between the two lenses.
¥500
Sony E 55-210mm f/4.5-6.3 OSS Overview
An ideal complement to many kit zooms, the silver E 55-210mm f/4.5-6.3 OSS Lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low dispersion elements and two aspherical elements users will enjoy images with minimal aberrations. Also, thanks to Optical SteadyShot image stabilization, camera shake will be dramatically reduced, resulting in sharper images. An internal focus design enables fast, responsive AF and a minimum focus distance of 3.3\'. Additionally, it has a seven-blade circular diaphragm for smooth, rounded bokeh.
Designed for APS-C-format cameras, this 55-210mm lens perfectly complements many kit zooms by providing an 82.5-315mm equivalent focal length range for telephoto applications.
A variable f/4.5-6.3 maximum aperture helps keep overall lens size and weight to a minimum.
Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera\'s sensor-shift type image stabilization for more effective control of camera blur.
An internal focus mechanism contributes to faster, more responsive autofocus, the minimum focus distance of 3.3\', and easier handling as the lens does not change in length during use.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
¥500
Sony SEL1855 Overview
A versatile standard zoom, the silver E 18-55mm f/3.5-5.6 OSS Lens from Sony is a wide-angle to short-telephoto designed for APS-C-format E-mount mirrorless cameras. The 27-82.5mm equivalent focal length range is benefitted by Optical SteadyShot image stabilization, which compensates for up to four stops of camera shake to produce sharper images when shooting handheld in difficult lighting situations. Also contributing to notable sharpness, the optical design incorporates aspherical elements to reduce spherical aberrations throughout the zoom range for increased clarity and minimized distortion. Rounding out this 18-55mm f/3.5-5.6 is a sleek form factor that is well-matched to E-mount mirrorless cameras, along with a durable aluminum alloy finish.
Standard zoom 18-55mm lens is designed for APS-C-format E-mount mirrorless cameras, and provides a wide-to-portrait length 27-82.5mm equivalent focal length range.
Aspherical elements are employed in the optical design to control spherical aberrations throughout the zoom range for increased clarity and sharpness.
Optical SteadyShot image stabilization minimizes the appearance of camera shake by up to four stops for sharper handheld images.
An internal focusing mechanism delivers quick, quiet, and precise autofocus that is well-suited to both stills and video applications.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
Aluminum alloy finish is both aesthetic as well as durable.
¥500
Metabones MB_LM-E-BT2 Overview
Mount your Leica M lens to your Sony E-mount camera with this T Adapter from Metabones. Precision-crafted from brass and given chromium plating, this adapter is designed for daily use and will guarantee infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods.
While this adapter allows users to mount a Leica M lens on their Sony E-mount camera, automatic functions such as autofocus and electronic aperture control will not be supported.
Lighting
¥500
MLS500F
Spectra-LED-Lights
- Smooth dimming without flickering and color shift
- Daylight balanced LEDs at 5000K
- Light Output: 550lux @ 1m with a beam angle of 60°
- Powered by 6xAA alkaline or lithium batteries
- Best in class color rendition (CRI>90)
¥Free
60W 600pcs LED Bulbs LED Photo Video Light Bi-Color Dimmable DMX 512 2.4G Remote Control For Studio Photography
Price listed as one.
¥1,000
The VL150 LED Video Light from Godox is a lightweight and compact LED monolite-style light source suitable for portrait, still life, and location photography, and also for video-based applications. The daylight-balanced COB LED features a CRI rating of 96 and TLCI rating of 95, producing highly accurate color renditions and rendering extremely realistic flesh tones. The VL150 light body is operated and powered from an external controller, keeping it compact and lightweight. It features a whisper-quiet fan and an integrated Bowens-style reflector mount, making it compatible with a wide array of light modifiers.
The controller box contains a single V-mount battery plate, and an LCD display with intuitive controls and command dial for making adjustments to the light body locally. Setting can also be adjusted wirelessly using the separately-available radio remote, or by using Bluetooth-enabled portable devices with the GodoxPhoto app, available as a free download for iOS and Android devices.
Controller Box
Moving the V-mount battery plate and light controls out of the light body and into the standalone control box allows easily placing the light wherever it needs to be without the added bulk and weight of large V-mount cells. The controller box comes complete with a 4-pin XLR type power cable for easy placement. It features an antenna for the separately-available wireless radio remote, and a Bluetooth antenna for using the GodoxPhoto app on iOS or Android portable devices.
¥1,000
The Polaris Karat Flash Meter from Shepherd is a is a full-featured meter that reads ambient light in reflected or incident mode thanks to its slide away dome as well as reflected or incident flash in cord or cordless mode. No mean feat, it's also the first handheld light meter to measure flash duration. The meter features a backlit LCD digital display, Wide ISO range and multi-flash capability. The Karat is powered by an easily-sourced AA battery.
Flash duration measurement mode is ideal for stop action shooting
On-demand backlight LCD display shows all data and functions clearly, even at arm's length
Multi-flash feature makes it simple to calculate how many times the flash must be fired to achieve a desired f/stop in a single exposure
colorspike（カラースパイク）は、PVやドラマ撮影の様々なライトエフェクトの演出に最適で、コンパクトなポータブルマルチカラーLEDライトです。Bluetooth LE対応iOSとAndroidデバイス用アプリを使用して、様々なビジュアルエフェクトをカスタマイズ可能。シーンに合わせてカラーを選択したり、意図的な効果を使用して実用的な光源として使用可能です。アプリでは、複数台のcolorspikeを制御できます。内蔵バッテリー、ACでの運用が可能です。
¥8,000
¥5,000
Sale
The DLEDRAMA-BI Bi-Color Soft LED Panel from Dedolight offers a maximum light intensity of up to 23,600 lux (Intensity Daylight) and 17,000 lux (Intensity Tungsten) at a distance of up to 3.3’. It features four 608 SMD (Surface Mounted Device) LEDs.
220W power consumption
Passive cooling: No fan means no noise
Manual and DMX control included
| Input | 90 to 264 VAC / 28 VDC |
| Color Temperature Control | 3000 to 5600K |
| Beam Angle | 45° |
| Light Intensity | CRI Ra (1-8): >93, CRI Re (1-15): >90, TLCI: 93 Intensity Daylight (Measured at 5600K): 700 lux (65 fc) @ 19.7' / 6 m 944 lux (88 fc) @ 16.4' / 5 m 2622 lux (244 fc) @ 9.8' / 3 m 5900 lux (548 fc) @ 6.6' / 2 m 23,600 lux (2193 fc) @ 3.3' / 1 mIntensity Tungsten (Measure at 3200K): 472 lux (44 fc) @ 19.7' / 6 m 680 lux (63 fc) @ 16.4' / 5 m 1889 lux (175 fc) @ 9.8' / 3 m 4250 lux (395 fc) @ 6.6' / 2 m 17000 lux (1580 fc) @ 3.3' / 1 m |
| Operating Temperature | 14 to 95°F (-10 to 35°C) |
| Dimensions | 31.5 x 22.8 x 5.1" (80 x 58 x 13 cm) |
| Weight | 41.8 lb (19 kg) |
¥Free
With a guide number of 213, the SK400II Studio Strobe from Godox is a 5600K daylight-balanced flash source that offers solid core and convenience features at a budget-friendly price point. The head features a 0.1 to 1 second recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/16 to full power, adjustable in 40 steps, while the 150W modeling light has a Proportional mode to allow you to preview your lighting effects and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The SK400II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 TTL transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The SK400II weighs in at 4.6 lb, encouraging the assembly of a kit with two or more heads without having to lug a heavy case around. The SK400II has a Bowens front accessory mount, allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.
Built-In 2.4 GHz Wireless X System
Use TTL wireless trigger X1 as well as power remotes XT16 or FT16 to wirelessly control the head's power, modeling light, triggering, and more. The system has 32 radio channels and 16 groups.
Fast Recycling and Flash Duration
The SK400II features 0.1 to 1 second recycling and 1/800 to 1/2000 sec flash durations.
Precise Power Adjustment
Power can be adjusted from 1/16 to 1/1 in 40 steps. The 150W modeling light has 3 modes: Off, Proportional, and Percentage (5 to 100%)
Interface
Keyboard and multi-function buttons. The LCD screen displays settings and functions.
¥Free
A versatile constant light source well-suited for video work, this SL-60 LED Light from Godox is a daylight-balanced, 5600K light featuring a COB (chip on board) LED for high brightness and color accuracy. The intuitive design of the light incorporates a rear LCD monitor and a dial with a 10-100% dimming adjustment. A dedicated wireless remote is also included for brightness control as well as for grouping lights for multiple light configurations. Also, to help ensure consistent and continuous use, a heatsink and built-in fan are featured to help regulate temperature along with a specialized temperature control function to protect the LED itself. The light is also configured to accept Bowens S-mount light modifiers and accessories, such as the included reflector, and the LED also has a clear cover over it for additional protection.
Daylight-balanced light has a color temperature of 5600K.
The 60W COB LED offers a high output along with color-accurate rendering and dimming control from 10-100%.
On-board brightness adjustment is available using the rear dial and LCD.
Included RC-A5 remote control offers wireless dimming control as well as the ability to work with six lighting groups and 16 channels. This 433 MHz remote runs on three separate AAA batteries and has a wireless range of approximately 65.6′.
Bowens S-mount is compatible with a variety of light modifiers and accessories, such as the included reflector for producing a broad, even, and neutral light quality.
Integrated heatsink, built-in fan, and temperature control function help keep the light running cool for safe and consistent use. The temperature of the fixture itself can also be monitored, in Fahrenheit or Celsius, on the rear LCD.
Runs on 100-240 VAC power for use worldwide.
¥Free
KIT INCLUDES: (1)192 SMD LED Ring Light with Bracket, (1)Light Stand, (2)6600mAh Li-ion Battery, (2)Battery Chargers, (1)Power Adapter, (1)EU Plug; Ideal for advertisement, photo-art, industrial, scientific and technical photo or video photography
SMD 192 LED RING LIGHT WITH CAMERA BRACKET: Special SMD LED design; Produce a greater color (CRI 96+) when in use; Lightweight and portable; Constant current drive, low power loss; 192 pieces energy-saving LEDs place inside evenly, ensuring a brighter and a more wide spread of light; Color temperature with a range from 3200k to 5600k can be adjusted easily by yellow/white color separate dimmer control
STABLE SUPPORT BRACKET: Light stand can be easily screwed into this bracket for different shooting angle requirement; And a camera or camcorder can be installed safely and firmly on it; Easy set up or take apart, providing an extra convenient for your creation work
POWER SOURCE: Powered by AC adapter or Sony NP-F970 replacement Li-ion Battery to provide 90-180 minutes’ lighting; Two spare replacement batteries included provides an extra power for your digital camera or camcorder; Together using with battery chargers, you can keep shooting during a long time journey p>HEAVY DUTY ADJUSTABLE LIGHT STAND: Adjustable height ranges from 3 feet/0.92 meters to 6.5 feet/2 meters for meeting various shooting angle. Metal construction and come with solid locking system, it gives exceptional strength for heavy duty work, ensuring the safety of photographic equipment and providing great convenience when in use with its easy-set-up-and-take-down design
¥Free
2 Pieces Bi-color 660 LED Video Light and Stand Kit Includes:(2)3200-5600K CRI 96+ Dimmable Light with U Bracket and Barndoor and (2)75 inches Light Stand for Studio Photography, Video Shooting
Modifiers & Softboxes
¥Free
Ideal for use overhead or to raise the ambient illumination level, the 26.6" diameter Collapsible Lantern Softbox from Godox has the same omni-directional quality of light as the "China Balls" of yore but is built with durable materials and has accessories such as an optional skirt set to control the 270° beam spread. The Lantern has a Bowens mount that fits Godox lights such as the SL150 II, UL150, and VL series, but it is also compatible with many other lights that use this popular mount.
Benefits
- Beam spread is 270° for soft omni-directional light quality
- Bowens mount is widely compatible
- Fast, simple setup
- Optional skirts for beam spread control
¥Free
Godox UB-L3 Overview
Compatible with speedlights and studio strobes, this Black/Silver, 60" Umbrella from Godox widens the coverage and softens the light source's output. The light-shaper has a highly reflective interior that renders snappy contrast, and a cool-colored quality of light, and is a good choice for long-throw light bouncing from a distance.
¥Free
Compatible with all Godox flash heads that have Bowens front accessory mounts, this Octa Softbox with Bowens Speed Ring and Grid from Godox measures 31.5" and provides a soft, pleasing quality of light. The softbox has a large surface area to offer a wraparound effect, especially when used close up. This shape produces natural-looking catchlights in the eyes of your subject. The included fabric grid mounts to the softbox with touch-fasteners and provides directional control of the output, keeps light from the background, and allows you to light specific areas of the subject.
¥Free
The 23.6 x 35.4" Softbox with Bowens Speed Ring and Grid from Godox is a modifier that fits full size Godox flash heads or other brands with the widely used Bowens front accessory mount. Good for all types of photo work, the softbox renders a soft, flattering quality of light with open shadows and manageable contrast. The included fabric grid attaches to the front of the softbox via touch-fasteners. The grid provides directional control of the output, keeps light off the background, and allows you to light specific areas of your subject.
¥Free
The 13.8 x 63" Softbox with Bowens Speed Ring and Grid from Godox is a modifier that fits full size Godox flash heads or other brands with the widely used Bowens front accessory mount. Good for all types of photo work, the softbox renders a soft, flattering quality of light with open shadows and manageable contrast. The included fabric grid attaches to the front of the softbox via touch-fasteners. The grid provides directional control of the output, keeps light off the background, and allows you to light specific areas of your subject.
¥Free
- Professional reflective fabric with precise color temperature is tailored elaborately, hard skeleton provides enough support for softbox
- Two layers of soft cloth can make light more even, gentle, exquisite, suitable for many kinds of studio flash shooting
- Silvery white umbralla skeleton design, quick release, convenient to fold and install, portable, easy to carry
- With standard size Bowens mount, this high quality softbox fits right in many studio strobe
- Widely used, the octagon umbrella softbox makes it desirable for fashion photography, portraits and medium to large sized product shots
Stands & Accessories
¥2000
Combining their 3-tiered T3 stand with 3 rolling casters with brakes, the T3C Rolling Tripod Stand from Triad-Orbit can be used as a mobile studio roller. The T3 features a three-section shaft and is designed to accommodate applications that call for 32.5 - 78.5\\\" mic placements.
The O2 Dual-Arm Boom from Triad-Orbit features dual boom arms, great for stereo miking grand pianos, snare drum (top & bottom), body and neck of an acoustic guitar, acoustic guitar and vocals, choirs, big bands, orchestras, and more.
¥1,000
Neewer 10096856 Overview
A staple support on any film or video set, the heavy-duty 7.8' Neewer Pro Stainless Steel C-Stand with Crossbar and Casters is unique among similar stands by employing 4" casters and an integrated boom arm. The stand rises to a maximum height of 7.8' and can support up to 44 lb, while the boom is adjustable from 51.6 to 85.8" and can support up to 33 lb at maximum extension. At the end of the boom is a combination 1-1/8" receiver/pop-up 5/8" retractable pin that will accommodate virtually all lights. The stand folds down to 69" for storage and transport.
¥Free
The Neewer Pro Metal 10' C-Stand Kit is comprised of a removable base, double riser, 47" arm, and two grip heads. The arm fits neatly into one of the removable grip heads mounted on the stand's 5/8" stud, while the other head has the capacity to slide along the arm to balance the weight of flags, scrims, gobos, or other accessories. The arm has an additional mounting option for the attachment of lights via the 5/8" pin with male threads at one end.
¥2000 Free with Camera Rental
Key Features
- 16.5 lb Load Capacity
- Aluminum Legs
- 18 to 66\\\\\\\\\\\\\\\\” Range
- 4-Step Counterbalance
The Manfrotto 504HD Head with 546B 2-Stage Aluminum Tripod System combines the innovative and stylish 504HD fluid video head with the 2-stage aluminum 546B professional video tripod to create an ideal combo of affordability, stability, and smooth, precise control.
¥Free Plan
The K&M 21020 Boom Microphone Stand is ideal for studio and live musicians alike. The steel frame has a rugged build that can survive consistent touring. The 21020’s tripod base features adjustable legs to stay secure on any stage, plus the rubber foot caps prevent slipping for increased stability. This model benefits from a clutch adjustment mechanism for instantly achieving your exact height preference. The 21020’s 3/8” thread fits to most standard connections for boom arm uses.
¥Free
- DURABLE: The light stand is made of aluminum alloy, making it strong for heavy-duty work. Max. load capacity is 11 lbs / 5kg.
- COMPACT AND PORTABLE: It is also of lightweight and can be folded into a small size, making it portable and easy to store after use.
- STABLE AND SOLID: Its solid locking capability makes your lighting equipment much safer.
- COMPATIBILITY: Made by the industrial standard, it supports all major brands of photo equipment such as reflector, softbox, different lights, umbrella, background, etc.
- HEIGHT ADJUSTABLE: Height is adjustable from 113 centimeters to 260 centimeters/ 45 inches to 103 inches.
- WIDE APPLICATION: It is perfect for photo studio and on-site photo and video shooting!
- NOTE: Light stand only, the strobe light is not included
- Material: Aluminum Alloy
- Folded Height (approx.): 38 inches/96 centimeters
- Minimum Height (approx.): 3.7 feet /45 inches/113 centimeters
- Maximum Height (approx.): 8.53 feet/103 inches/260 centimeters
- Net weight per light Stand (approx.): 4.74 pounds/2.15 kilograms
- Max. Load Capacity (approx.): 11 pounds/5 kilograms
- Spigot: 1/4 (need adapter to convert to 3/8)
- Tube Diameter: 22mm
- Segments: 3
¥1500
The Camera Crane Jib is a practical,suitable for all kinds of DSLRs and camcorders
Feature:
Material: Carbon Fiber
Load Capacity: 10KG
Max length: 2.0m
Carbon Fiber, Extends 4' from Tripod base
mounts to standard tripod heads using 1/4" or 3/8" thread
Package Included:
1x Mini Jib main part
1x Mini Jib supporting rod
1x Carry bag
¥1500
Manufactured in carbon fibre and aluminium, incredibly lightweight, robust, corrosion proof and heat-resistant, this prize winning crane features both manual and fixed-angle tilt control, is quick and easy to set up, pack away and transport. Ideal for studio or location use.
WHAT YOU GET:
1 x Minicrane 1 x Centre mount camera platform 1 x Carry case with handles 1 x ¼ to ⅜ adapterTECH SPECS:
Materials: x6 layers carbon fiber and anodised aluminium Weight: 1.52kg Max load: 5kg Tube diameter: 30mm Extended length: 2000mm Folded length: 750mm Max radius: 1200mm Tilt length: 2100mmPRODUCT FEATURES:
Carbon fiber layering ensures weight is reduced dramatically to just 1.52kg Highest weight capacity of similar sized jibs (an enviable 5kg) Easy to transport and setup Centre-mounted camera platform adds improved stability and functionality Removable, adjustable sliding weight bar allows fine-tuning control Features manual and fixed-angle tilt control, Versatile mount allows for extra accessories to be attached Useful removable counterweight hook included Suitable for all locations and weather conditions
¥1500, Free with Camera Rental
Manfrotto MVK500AM (MVK-500AM) Lightweight Fluid Video Head with Twin Leg Tripod and Middle Spreader. The lightweight fluid video system MVK500AM includes the fluid video head (60mm half ball) MVH500A and the twin leg video tripod MVT502AM (aluminum, middle spreader) .
The MVH500A is a lightweight head with a wider platform for HDSLR bodies and the sliding plate travels to balance the latest interchangeable lens cameras. The entry-level 500 ensures smooth shots and fine control with up to 5kg (11 lbs) of equipment.
It’s the most compact head in Manfrotto\\’s successful Bridging Technology™ range.
MVH500A is supplied with a 60mm half ball video tripod mount and it also replaces the Manfrotto 701HDV video head.
Beautifully smooth shots: the 500 has professional fluid cartridges on both pan and tilt axes to ensure that every camera movement is smooth, controlled and precise.
Faster, easier and safer to use: the side lock system allows the camera and sliding QR…
Audio Recording
¥2000
Yamaha HS Series Monitors
Ever since the 1970’s the iconic white woofer and signature sound of Yamaha’s nearfield reference monitors have become a genuine industry standard for a reason – their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.
By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha’s speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5″ model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.
¥2000
Key Features
- Indie Filmmaking, Video Content Creation
- Look-Ahead Limiters Prevent Clipping
- 4 x High-Gain, Low-Noise Mic Preamps
- Records 6 Inputs & Stereo Mix
- Ambisonics, WAV & MP3 Formats
- Compatible with Zoom Mic Capsules
- Flexible Powering Options
- Dual SD Card / USB Interface Recording
- AutoMix Software Reduces Mix Noise
- Precision Time Code Reader/Generator
¥1,500
Add a pair of compact, clip-on wireless microphones for your two-person interview, YouTube video, documentary production, or vlog with the black LARK 150 2-Person Compact Digital Wireless Microphone System from Hollyland. The LARK 150 features two ultracompact microphone transmitters and a receiver that offer a portable, cost-effective, all-inclusive solution for recording two subjects at once to your camera, smartphone, audio recorder, or similar device with a 3.5mm input jack
The tiny transmitters feature built-in omnidirectional microphones and weigh less than 1 oz each, making them easy to clip onto shirt and lapel collars for quick interviews. The integrated mics offer an anti-vibration design with intelligent noise cancellation to ensure outstanding sound quality and clear, intelligible audio. For a more discreet appearance, you can use the included lavalier microphones and plug them into the 3.5mm input ports on the transmitters. The transmitter's power button doubles as a two-way mute button with a short press.
The two-channel receiver clips to your camera shoe and features easy-access volume knobs, a 3.5mm headphone monitoring output, a 3.5mm line output, and an easy-to-read OLED screen that shows the connection and battery status of all three units along with metering for audio levels.
The system uses automatic frequency selection with FHSS (Frequency Hopping Spread Spectrum) technology in the 2.4 GHz bandwidth to ensure a clean signal without interference or dropouts at a range of to 328' line of sight and 65' with limited obstacles. The receiver also supports switchable safety, stereo, and mono modes for different configurations and a low latency rate of 5ms.
Both the transmitters and the receiver feature built-in rechargeable batteries. The transmitters will each run up to 4 hours, while the receiver offers up to 7.5 hours of operating time; this means that for single-person shoots, the second transmitter can be used to extend your shooting time if necessary. The included storage and transport case automatically pairs the components and recharges them in 2.5 hours using its USB input port.
A USB cable, 3.5mm TRS audio cable, 3.5mm TRRS cable, two furry windscreens for the lavalier mics, and a storage bag are also supplied with the Lark 150. The system can be expanded with additional transmitters and receivers (available separately) to accommodate up to 8 wireless mics on set at one time.
Professional Sound Quality
Built-in high-sensitivity omnidirectional microphone on transmitters for quick on-the-fly interviews
Anti-vibration sound chamber design
DSP (Digital Signal Processing) intelligent noise cancellation
Two lavalier microphones with furry windscreens included for visually discreet setups
Stable Wireless Audio Transmission
328' line-of-sight operating range with a 5ms latency
Power-On Smart Frequency selection feature automatically finds an open frequency in the 2.4 GHz spectrum
Frequency Hopping Spread Spectrum (FHSS) method hops between available frequencies for optimal wireless transmission
Mono/Stereo/Safety Output Modes
- Mono: Record a single microphone to both audio tracks in your camera or phone
- Stereo: Record two mics, with each on a separate track
- Safety: Record a single mic at a lower level on a separate track as a backup if main track is too loud
Ultracompact Construction
Small and light transmitters weigh less than 1 oz
Charging case that supports fast auto-pairing, upgrade, and storage for the whole system
Additional Features
Power button doubles as two-way mute
Real-time audio monitoring with 3.5mm headphone output on receiver
3.5mm line output on receiver with included TRS cable for camera and TRRS cable for smartphone or mobile device with 3.5mm input jack
¥1500
AT835b
The AT835b has been updated. Click here for more information on the newest model. The length (14.53\") of the AT835b Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.
¥1500
- Rycote® Lyre® shock mounting onboard
- All-new capsule with lower noise and higher sensitivity
- Broadcast recording quality condenser microphone
- Compact form factor (150mm/6” length)
- Ultra lightweight (85g/3oz)
- 9V battery powered - over 70 hours use (alkaline)
- Integrated shock mounting
- Integrated foam windscreen
- 3.5mm stereo mini-jack output (dual mono)
- Two step High Pass Filter (flat, 80Hz)
- Three position level control (-10dB, 0, +20dB)
- Camera shoe mount with 3/8” thread for easy boompole mounting
- 10 year extended warranty when you register your microphone
VIDEOMIC PRO SPECIFICATIONS
| Acoustic Principle | Line Gradient |
| Active Electronics | JFET impedance converter |
| Capsule | 0.50" |
| Address Type | End |
| Frequency Range | 40Hz - 20kHz (selected HPF @80) |
| Output Impedance | 200Ω |
| Maximum SPL | 134dBSPL |
| Maximum Output Level | 6.9mV (@ 1kHz, 1% THD into 1KΩ load) |
| Sensitivity | -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
| Equivalent Noise Level (A-weighted) | 14dBA |
| Weight | 85g |
| Dimensions | 100mmH x 75mmW x 170mmD |
¥1500
he RØDE NT1-A 1 inch cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal for vocal microphone as well as perfect for recording guitars and percussion.
Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20-feet microphone cable, dust cover, and an instructional DVD packed with recording tips. The RØDE NT1-A large diaphragm 1 inch cardioid condenser microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
¥2000
The AT8015 from Audio-Technica is a line gradient condenser, phantom or battery powered, shotgun microphone with ideal sound rejection from the sides and rear of the mic to capture audio over long distances. It can be used in various environments for applications such as videos, TV broadcasts, and ENG (Electronic News Gathering) productions.
It features a roll-off position switch that reduces the pickup of low-frequency ambient noise like traffic, room reverberation, and mechanically coupled vibrations. The microphone comes with a stand clamp, a 5/8” to 3/8” adapter, a windscreen, an AA battery, and a protective carrying case.
¥500
| 最小縮長 | 最大伸長 | 段 数 | 重 量 | 価格(税別) | |
|---|---|---|---|---|---|
| MB203B | 745mm | 2000mm | 3段 | 480g | オープン価格 |
| MB263B | 940mm | 2600mm | 3段 | 590g | オープン価格 |
| MB264B | 750mm | 2600mm | 4段 | 720g | オープン価格 |
¥5000
Including all kit for Audio recordist
Video Production Peripherals
¥1,500
Use the Nucleus-Nano Wireless Focus Control System from Tilta to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus handwheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.
The units support run/stop functions and setting hard A and B limits for more control over your camera and lens. The handwheel is powered by a single 14500 lithium battery and the motor is powered by your camera or a battery via its micro-USB connector. The units are both constructed of durable materials, and the handwheel features an attractive, comfortable rosewood grip.
Included in the kit with the handwheel and motor is a mounting baseplate for 95mm lenses, a 15mm rod, a micro-USB motor cable, a DJI Ronin-S motor power cable, a 0.8 MOD motor gear, two lens gear rings, attachment plates for the Ronin-S/G2 and Zhiyun Crane, a dual-battery charger, two batteries, mounting screws, a soft case, and two Allen keys. See below for more information about the items that make up the system.
Tilta Nucleus-Nano Wireless Focus Hand Wheel Controller
Pair this Nucleus-Nano Wireless Focus Hand Wheel Controller from Tilta with the Nucleus-Nano Motor to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses.
The large Hand Wheel responds with no delay as it wirelessly controls the separately available Nucleus-Nano motor from up to 300' away via 2.4 GHz Wi-Fi, and it lasts up to six hours on a single 3.7V 14500 lithium-ion battery. You can also perform run/stop functions and set hard A and B limits with the buttons on the wheel for more control over your camera and lens.
The Hand Wheel is constructed with aluminum, plastic, rubber, and a sleek rosewood-lined handle for comfort and style. It can mount on a stand, rig, or gimbal such as the Gravity G2X with a rosette connector. One separately available 14500 lithium-ion battery is required to use the Hand Wheel.
Wireless focus wheel for DSLR, mirrorless, or cine-style lenses
Large, rosewood-lined wheel for style and comfort
Connect wirelessly to Nucleus-Nano motor from up to 300' line-of-sight range via 2.4 GHz Wi-Fi
Powers via separately available 14500 lithium-ion battery for 6-hour operating time
Use start/stop function and set A/B limits with buttons on controller
Connects to rigs, arms, or gimbals with a rosette mount
Compatible with Nucleus-Nano Focus motor
UPC: 709016727146
Tilta Nucleus-Nano Wireless Lens Control Motor
Pair this Nucleus-Nano Lens Control Motor from Tilta with the separately available Nucleus-Nano Focus Hand Wheel or Nucleus-M FIZ unit to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses.
The motor comes with a standard 0.8 MOD cine lens gear, operates at up to 1Nm of torque, and can connect wirelessly to the Nucleus-Nano Focus Hand Wheel from up to 300' away. The motor calibrates to your lens automatically, but you can choose to calibrate manually. You can also perform run/stop functions and set hard A and B limits with the buttons on the Hand Wheel for more control over your camera and lens. The motor is also compatible with the Nucleus-M FIZ hand unit and handgrips.
The motor draws power via a 5-18V micro-USB port from a gimbal or D-Tap battery with a separately available cable. The motor is constructed with aluminum, plastic, and stainless steel for durability. It can mount on a stand, rig, or gimbal with its built-in 15mm rod clamp.
Note:
Use only run/stop cables specifically designed for the Nucleus-Nano; Tilta wooden handle run/stop cables are not compatible or safe to use with this unit. All cables are available separately.
Wireless focus motor for DSLR, mirrorless, or cine-style lenses
The low-noise 5-18V motor operates with 0.65 to 1 Nm of torque
Includes a 0.8 MOD, 32 pitch, 26-tooth cine standard gear
300' wireless range to connect to lens controllers
Powers via micro-USB from D-Tap battery or gimbal with a separately available 5V cable
Use start/stop function and set A/B limits with buttons on the Hand Wheel
Connects to rigs, gimbals, and rods with a built-in 15mm rod clamp
Compatible with Nucleus-Nano Focus Hand Wheel Controller, Nucleus-M FIZ hand unit, and Nucleus-M handgrips
Tilta Baseplate with 15mm LWS Rod Clamp for 95mm Lens Diameter
Attach this Tilta Baseplate with 15mm LWS Rod Clamp to the base of your camera and attach a separately available 15mm rod to the rod clamp. The Nucleus-Nano motor can then attach to the rod and provide focus control. The size of the plate and the spacing of the rod clamp are designed to place your motor gear against the focus gear of lenses with a 95mm diameter.
UPC: 709016727252
Tilta Single 15mm Aluminum Rod (3.94", Anodized Black)
This Tilta Single 15mm Aluminum Rod is 3.94" in length and anodized black. It is compatible with 15mm LWS and studio rod support clamps and chamfered to make it easier to slide rod-mounted accessories onto the end.
Tilta Nucleus-Nano Handwheel Attachment Plate for DJI Ronin-S/Gravity G2X
Attach your Nucleus-Nano handwheel to a Gravity G2X or DJI Ronin-S gimbal with this Nucleus-Nano Handwheel Attachment Plate from Tilta. The adapter attaches to the Ronin-S with one of the gimbal's M4 screws, and it attaches to a rosette on the Gravity G2X with the included M6 screw. When attached to the gimbal, the handwheel slides into the plate and is tightened with the locking lever.
UPC: 709016727184
Tilta Nucleus-Nano Hand Wheel Adapter for Zhiyun Crane 1
Mount your Nucleus-Nano hand wheel to the handle of the Zhiyun Crane 1 with this Nucleus-Nano Hand Wheel Adapter from Tilta. This sturdy aluminum and steel adapter clamps to the Crane's handle and is secured with a locking lever. The hand wheel attaches to the adapter with a screw.
UPC: 709016727191
Tilta 14500 Battery Charging Cable for Nucleus-Nano
Charge the 14500 batteries that power the Nucleus-Nano with this 14500 Battery Charging Cable from Tilta. The charger plugs into a USB power source and the other end connects positive and negative splitter ends magnetically to a single battery for charging.
¥1,500
The Mars 400S from Hollyland is an entry-level 1080p60 transmitter/receiver system featuring a 400' line-of-sight transmission range. In a compact design, the transmitter and receiver each have an SDI and HDMI connection. The choice between the two connection types expands your compatibility options and also lets you grow in case currently you only need one.
Additionally, an optional second receiver can be linked up to the transmitter to accept the signal at the same time. The transmitter is also capable of sending the signal over built-in Wi-Fi to up to four mobile devices, whether it is also sending to a receiver at the time or not. This will allow different people/departments on the set to view the image being captured. The image is sent to the HollyView app, which is compatible with iOS and Android.
Both the transmitter and receiver have a built-in L-series battery plate and also support DC power. Batteries are sold separately. One power adapter is included to get you started on the receiver end. Both units also have an OLED display that confirms the resolution, transmission channel, signal strength, and other details. The display also shows a low battery warning when there are about 30 minutes of runtime left.
One of the features of the Mars 400 system is a channel scan function. Via the OLED display, you can see the status of each selectable transmission channel in the environment you're in. This feature lets you know which channels are good and which have interference. Another feature is scene mode selection, which allows you to select from three different scene modes as best suits your environment. The three modes let you prioritize between video quality, low latency, or a balance between the two.
The transmitter and receiver are each approximately 4.5 x 2.5" and have a robust yet lightweight metal housing.
Key Features
- Entry-level 1080p60 transmitter/receiver system
- 400' line-of-sight transmission
- SDI and HDMI input
- SDI and HDMI output
- Up to two receivers supported at the same time
- Wi-Fi transmission to up to four mobile devices using iOS/Android HollyView app
- Built-in L-series battery plates
- OLED display
- Low battery warning
- Channel scan function
- Scene mode selection
¥1000
Elgato HD60 S Overview
Record and stream your gaming highlights with low-latency using the Game Capture HD60 S High Definition Game Recorder from elgato. This external capture card has a USB-C 3.0 interface, which features a reversible connector, and supports up to 1080p at 60 frames per second. Advanced hardware H.264 encoding lets you capture in HD yet keeps the file size small. Game freely and never miss a moment with Flashback Recording – simply slide back in time on your PC and hit the record button retroactively. For streaming, Stream Command lets you add in your webcam, overlays, live commentary, and more.
The Game Capture HD60 S can record PlayStation 4, Xbox One, Xbox 360, and Wii U gameplay to a Windows PC via a HDMI pass-through. Mac OS X users will have to check the elgado website for software support.
Record in 1080p at 60 fps
Live stream your gameplay on Twitch and YouTube
Instant Gameview provides you with an instant preview including your webcam and live commentary
Add your webcam, overlays, and more with Stream Command
Add your voice with the Live Commentary feature
Record your PS4, Wii U, Xbox 360, or Xbox One gameplay to a Windows or Mac PC
Advanced H.264 encoding HDMI pass-through to your TV
Flashback Recording lets you record retroactively
¥2000
1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m² brightness
4K HDMI input/output
AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
High Bright mode for Rec. 709 viewing UHD 4K downscale for HD monitoring
Supports custom 3D LUTs (.cube format) Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
¥8,000
Ditch the keyboard and mouse when editing or doing advanced color correction with the Tangent Devices Element Panels Kit. This bundle includes the Tk Panel with three trackerballs – ideal for three-way color correction – the Mf Panel with an additional trackerball plus 21 tactile response buttons – ideal for secondaries work – the Kb Panel with 12 user-assignable knobs, and the Bt Panel with 14 additional tactile response buttons.
A magnetic mechanism allows all four panels to be combined seamlessly into a single, contiguous control surface. The list of compatible software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. For more information on each panel, please follow the links below.
Tangent Element Tk Panel
The Tangent Devices Element Tk Panel is the “Trackerball” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo.
The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer.
Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters.
The Tk panel has three programmable trackerballs and three programmable rings atop the balls. It has separate reset buttons for each ball and ring, and two buttons to program functions like ALT and Shift into. The trackerballs and rings work by optical laser pickup for high-precision and extended life. The trackerballs can be removed for cleaning, and they can be reinstalled quite easily.
The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.)
Tk Panel
- Features 3 programmable trackerballs and 3 programmable rings
- Equipped with individual reset buttons for each ball and for each ring
- 2 buttons are available to program Shift, ALT and similar functions into
- The balls and rings work by laser pickup ensuring precision and long life
- The rings also have smooth bearing. The buttons work by tactile response
- Compatible with Tangent’s HUB service for customized layout of the controls
Design
- The panel takes up a very small desk footprint of only 7.9 inches deep
- Made of laser-cut aluminum and attaches onto other panels magnetically
- An OLED display shows what each individual control is programmed to do
- Connects to a computer by a single USB cable via plug-and-play functionality
Supporting Software
- The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo
Tangent Element Mf Panel
The Tangent Devices Element Mf Panel is the “Multifunction” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo.
The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer.
Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters.
The Mf panel has two display screens and twelve programmable buttons. It has one programmable trackerball and one programmable ring atop the ball. It has separate reset buttons for the ball and the ring, two buttons to program functions like ALT and Shift into, and standard transport buttons such as “play” and “stop”. The trackerball and ring work by optical laser pickup for high-precision and extended life. The trackerballs can be removed for cleaning, and they can be reinstalled quite easily.
The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.)
Mf Panel
- Features 1 trackerball, 1 ring, and 12 buttons, all programmable
- Additionally features standard transport buttons and 2 reset buttons
- 2 buttons are available to program Shift, ALT and similar functions into
- The ball and ring work by laser pickup that ensures precision and long life
- The ring also has smooth bearing, and the buttons work by tactile response
- Compatible with Tangent’s HUB service for a customized layout of the controls
Design
- The panel takes up a very small desk footprint of only 7.9 inches deep
- Made of laser-cut aluminum and attaches onto other panels magnetically
- Two OLED displays show what each individual control is programmed to do
- Connects to a computer by a single USB cable via plug-and-play functionality
Supporting Software
- The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo
Tangent Element Bt Panel
The Tangent Devices Element Bt Panel is the “Button” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo.
The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer.
Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters.
The Bt panel has fourteen programmable buttons, two of which are for programming Shift, ALT and similar functions into.
The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.)
Bt Panel
- Features 14 programmable buttons that work by tactile response
- 2 of the 14 are for programming Shift, ALT and similar functions into
- Compatible with Tangent’s HUB service for customized control layouts
Design
- The panel takes up a very small desk footprint of only 7.9 inches deep
- Made of laser-cut aluminum and attaches onto other panels magnetically
- An OLED display shows what each individual control is programmed to do
- Connects to a computer by a single USB cable via plug-and-play functionality
Supporting Software
- The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo
Tangent Element Kb Panel
The Tangent Devices Element Kb Panel is the “Knob” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo.
The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer.
Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters.
The Kb panel has twelve programmable knobs and two buttons for programming functions like Shift and ALT into.
The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.)
Kb Panel
- Features 12 programmable knobs and 2 tactile response buttons
- The buttons are for programming Shift, ALT and similar functions into
- Compatible with Tangent’s HUB service for customized layout of controls
Design
- The panel takes up a very small desk footprint of only 7.9 inches deep
- Made of laser-cut aluminum and attaches onto other panels magnetically
- An OLED display shows what each individual control is programmed to do
- Connects to a computer by a single USB cable via plug-and-play functionality
Supporting Software
- The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo
¥2000
Affordable high picture performance
The LMD-2110W is an elegant 21.5-inch widescreen LCD monitor specifically designed to provide reference video monitoring solution for entry-level video applications.
Its 21.5-inch size and Full HD (1920×1080) picture resolution makes this video monitor ideal in various applications such as entry-level non linear editing, videographer, high definition office viewing, security and medical, and some others.
A 10-bit processor ensures accurate picture reproduction will less image artefacts. Combined with a high purity filter, the LMD-2110W provides excellent colour depth for precise colour reproduction.
Equipped with a HDMI interface as standard, this new entry-level monitor is an ideal match for professional and semi-professional high-definition applications. This monitor can be used for desktop editing and office viewing applications with video or computer format input through DVI to HDMI conversion cable.
The LMD-2110W also supports both HD-SDI and SD-SDI with the optional BKM-341HS adaptor.
The LMD-2110W wins hands-down in terms of breadth of operation and performance when compared to standard PC monitors: – video image reproduction is far superior due to its moving picture optimisation circuitry and colour temperature and Gamma control.
Slim and lightweight, the LMD-2110W also offers outstanding installation flexibility. It has a table stand and VESA mount as standard enabling it to be easily placed on a desktop, in a monitor wall or on a ceiling.
¥2000
Adobe RGB | 27 Inch 2560×1440 QHD Resolution 99% Adobe RGB with IPS technology Hardware Calibration with Accurate Colors
¥2000
1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m² brightness
4K HDMI input/output
AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
High Bright mode for Rec. 709 viewing UHD 4K downscale for HD monitoring
Supports custom 3D LUTs (.cube format) Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
Batteries & Chargers
¥800 (Each)
The Panasonic AG-VBR118G is a 7.28V, 86Wh lithium-ion battery for the Panasonic AG-DVX200 camcorder. It features a 11,800mAh capacity and offers a 4-LED power gauge. For charging, this battery is compatible specifically with the Panasonic AG-BRD50P charger, sold separately.
¥500
The Panasonic AG-VBR59 is a 7.28V, 43Wh lithium-ion battery for the Panasonic AG-DVX200 and AG-CX10 camcorders. It features a 5900mAh capacity and offers a 4-LED power gauge. For charging, this battery is compatible specifically with the Panasonic AG-BRD50P charger, sold separately.
¥Free
The 7.2V DMW-BLF19 Rechargeable Lithium-Ion Battery Pack from Panasonic has a capacity of 1860mAh, making it possible to shoot hundreds of photographs with your Panasonic GH3, GH4, GH5, GH5S, and G9 digital cameras on a single battery charge. The battery is compact and lightweight, with no memory effect - so you can recharge partially drained batteries without reducing overall performance.
Compatible Cameras
GH3
GH4
GH5
G5S
G9
¥700
Panasonic AG-BRD50P Overview
The Panasonic AG-BRD50 is a 12V dual battery charger for the Panasonic AG-VBR118G, AG-VBR89G, and AG-VBR59 batteries, which are for the DVX200 camcorder. It also supports the VW-VBD58, VW-VBD55, CGA-D54, and VW-VBD29 batteries, but is not capable of quick charging with these models.
¥500
Panasonic AG-VBR Overview
The Panasonic AG-VBR59 is a 7.28V, 43Wh lithium-ion battery for the Panasonic AG-DVX200 and AG-CX10 camcorders. It features a 5900mAh capacity and offers a 4-LED power gauge. For charging, this battery is compatible specifically with the Panasonic AG-BRD50P charger, sold separately.
Continuous Shooting Time
Approximately 3 hours and 20 minutes (with DVX200)
Charge Time
Approximately 3 hours and 20 minutes
¥500
The Panasonic AG-VBR89G is a 7.28V, 65Wh lithium-ion battery. It features a 8850mAh capacity and offers a 4-LED power gauge. For charging, this battery is compatible specifically with the Panasonic AG-BRD50P charger, sold separately.
Continuous Shooting Time
Approximately 5 hours
Charge Time
Approximately 4 hours
Furniture
¥Free
Intricately woven detail graces this rattan grand peacock chair in a natural color. Pair this flared back boho style woven chair with any home decor and turn a forgotten corner into a showcase.
- 40 inches wide x 32 inches deep x 55 inches tall. Seat height with cushion 20 inches. Arm height 28 inches. Seat cushion 19.5 inches diameter.
- Hand woven from naturally grown Rattan.
- Not intended for outdoor use. Cannot be left exposed to the elements.
- Clean rattan with damp cloth.
- Dry clean removable cotton seat cushion cover
- This item will be shipped via Threshold Service that includes delivery beyond the main entrance of your residence or business but not to a specific room. No extra fee is charge for this service.
- This item is not eligible for expedited delivery
Others
¥5,000
Meet VL Flock Sheet's twin brother, "IR Flock Sheet"
The near-infrared sensing market has seen a remarkable increase in demand in recent years, including proximity sensors for automated driving and face recognition for smartphones. The IR Flock Sheet was developed as a material to prevent near-infrared reflection and stray light, which is necessary in this development field. By binding carbon atoms into the flocked pile, we succeeded in achieving a high light absorption performance not only in the visible light region, but also in the near infrared region.
※ When viewed by the naked eye, each person's perception towards "blackness" may differ depending on the lighting environment.
The graph above shows the total reflectance values ranging from visible light to the near-infrared range of 2500 nm. Our IR Flock Sheet achieves a total reflectance rate of 0.5% or less in the visible to near-infrared range, which is superior to our Fineshut KIWAMI material.
To take advantage of its excellent near-infrared light absorption property, we propose the following applications:
- Dark curtain material for near-infrared non-reflective darkroom
- Background curtain for near-infrared photography
- Pseudo-infrared calibration of near-infrared sensor
- Masking of unwanted objects in the proximity sensor test environment
- Anti-reflection measures during near-infrared motion capture
Product Specifications
Our IR Flock Sheet is a rayon-base fabric that has been electrostatically flocked with a rayon pile. It can be used as a cloth to cover objects, or as a curtain by sewing it into a curtain shape and then hanging it.
Composition
・Rayon base fabric / rayon pile
Thickness
・0.9mm ± 0.2mm
Standard Size
・950mm x 400mm
・950mm x 20m (Max Size)
・Can be cut and sold in 950mm x meter increments
※There is an area of about 20mm on the corners that are non-flocked and has punch holes. This area is excluded from the effective length of the 950mm measurement.
※In the case of wrinkles or creases, applying steam from an iron WITHOUT directly touching the material may improve its condition.
Custom Cut Services Available
Custom cuts can be made by laser or by punch press machine. In addition, we can accept parts and provide cut designing, processing, and pasting services.
Glue application services are also available.
For pricing, please refer to the following laser-cut cost calculation sheet.
Cameras
Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic&#
Read More
¥10,000
Panasonic has taken a different approach to camera development with the stills-focused DC-G9 Micro Four Thirds Mirr
Read More
¥3,500
Moving the LUMIX camera range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a modular,
Read More
¥5,000 (Each)
Lenses
Lightweight and exceptionally compact, the silver E 16mm f/2.8 Lens from Sony is a suitable travel companion. Pro
Read More
¥500
When you install this M.Zuiko Digital MC-14 1.4x Teleconverter from Olympus between a compatible lens and a Micro
Read More
¥1,000
Here is a nice Angenieux 12-120mm f2.2 zoom lens. This lens revolutionized 16mm filmmaking as we know it. Compact and po
Read More
¥3,000
Offering long reach with an advanced feature-set and optical design, the M.Zuiko Digital ED 40-150mm f/2.8 PRO from
Read More
A Micro Four Thirds lens with a not-so-micro zoom range, the Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.
Read More
¥3,000
A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a
Read More
¥1,500
A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is
Read More
¥3,500
Versatility within a short telephoto range, the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH., from Panasonic, is a 5
Read More
¥3,500
Sony E 55-210mm f/4.5-6.3 OSS Overview
An ideal complement to many kit zooms, the silver E 55-210mm f/4.5-6.3 OSS Lens f
Read More
¥500
Sony SEL1855 Overview
A versatile standard zoom, the silver E 18-55mm f/3.5-5.6 OSS Lens from Sony is a wide-angle to sh
Read More
¥500
Metabones MB_LM-E-BT2 Overview
Mount your Leica M lens to your Sony E-mount camera with this T Adapter from Metabones. P
Read More
¥500
Lighting
MLS500F
Spectra-LED-Lights
Smooth dimming without flickering and color shift
Daylight balanced LEDs at 5000K
Light Ou
Read More
¥500
60W 600pcs LED Bulbs LED Photo Video Light Bi-Color Dimmable DMX 512 2.4G Remote Control For Studio Photography
Price li
Read More
¥Free
The VL150 LED Video Light from Godox is a lightweight and compact LED monolite-style light source suitable for p
Read More
¥1,000
The Polaris Karat Flash Meter from Shepherd is a is a full-featured meter that reads ambient light in reflected o
Read More
¥1,000
Sale
The DLEDRAMA-BI Bi-Color Soft LED Panel from Dedolight offers a maximum light intensity of up to 23,600 lux (Inte
Read More
¥8,000
¥5,000
With a guide number of 213, the SK400II Studio Strobe from Godox is a 5600K daylight-balanced flash source that o
Read More
¥Free
A versatile constant light source well-suited for video work, this SL-60 LED Light from Godox is a daylight-balan
Read More
¥Free
KIT INCLUDES: (1)192 SMD LED Ring Light with Bracket, (1)Light Stand, (2)6600mAh Li-ion Battery, (2)Battery Chargers, (1
Read More
¥Free
2 Pieces Bi-color 660 LED Video Light and Stand Kit Includes:(2)3200-5600K CRI 96+ Dimmable Light with U Bracket and Bar
Read More
¥Free
Modifiers & Softboxes
70 inches / 178cm in diameter, great for professional large advertising Portrait / Product Photography use
Made of Hi
Read More
¥Free
Ideal for use overhead or to raise the ambient illumination level, the 26.6" diameter Collapsible Lantern Softb
Read More
¥Free
Godox UB-L3 Overview
Compatible with speedlights and studio strobes, this Black/Silver, 60" Umbrella from
Read More
¥Free
Compatible with all Godox flash heads that have Bowens front accessory mounts, this Octa Softbox with Bowens Speed Ring
Read More
¥Free
The 23.6 x 35.4" Softbox with Bowens Speed Ring and Grid from Godox is a modifier that fits full size Godox fla
Read More
¥Free
The 13.8 x 63" Softbox with Bowens Speed Ring and Grid from Godox is a modifier that fits full size Godox flash
Read More
¥Free
Professional reflective fabric with precise color temperature is tailored elaborately, hard skeleton provides enough su
Read More
¥Free
Stands & Accessories
Combining their 3-tiered T3 stand with 3 rolling casters with brakes, the T3C Rolling Tripod Stand from Triad-Orbit
Read More
¥2000
Neewer 10096856 Overview
A staple support on any film or video set, the heavy-duty 7.8' Neewer Pro Stainles
Read More
¥1,000
The Neewer Pro Metal 10' C-Stand Kit is comprised of a removable base, double riser, 47" arm, and two grip h
Read More
¥Free
Key Features
16.5 lb Load Capacity
Aluminum Legs
18 to 66\\\\\\\\\\\\\\\\” Range
4-Step Counterbalance
The Manfro
Read More
¥2000 Free with Camera Rental
The K&M 21020 Boom Microphone Stand is ideal for studio and live musicians alike. The steel frame has a rugged build
Read More
¥Free Plan
DURABLE: The light stand is made of aluminum alloy, making it strong for heavy-duty work. Max. load capacity is 11 lbs
Read More
¥Free
The Camera Crane Jib is a practical,suitable for all kinds of DSLRs and camcorders
Feature:
Material: Carbon Fiber
L
Read More
¥1500
Manufactured in carbon fibre and aluminium, incredibly lightweight, robust, corrosion proof and heat-resistant, this p
Read More
¥1500
Manfrotto MVK500AM (MVK-500AM) Lightweight Fluid Video Head with Twin Leg Tripod and Middle Spreader. The lightweight fl
Read More
¥1500, Free with Camera Rental
Audio Recording
Yamaha HS Series Monitors
Ever since the 1970’s the iconic white woofer and signature sound of Yamaha’s nearfield re
Read More
¥2000
Key Features
Indie Filmmaking, Video Content Creation
Look-Ahead Limiters Prevent Clipping
4 x High-Gain, Low-Noise Mic
Read More
¥2000
Add a pair of compact, clip-on wireless microphones for your two-person interview, YouTube video, documentary product
Read More
¥1,500
AT835b
The AT835b has been updated. Click here for more information on the newest model. The length (14.53\") of th
Read More
¥1500
Rycote® Lyre® shock mounting onboard
All-new capsule with lower noise and higher sensitivity
Broadcast recording
Read More
¥1500
he RØDE NT1-A 1 inch cardioid condenser microphone has become an industry standard; delivering the warmth, extended dyn
Read More
¥1500
The AT8015 from Audio-Technica is a line gradient condenser, phantom or battery powered, shotgun microphone with ide
Read More
¥2000
Including all kit for Audio recordist
¥5000
Video Production Peripherals
Use the Nucleus-Nano Wireless Focus Control System from Tilta to wirelessly control the focus of most DSLR, mirro
Read More
¥1,500
The Mars 400S from Hollyland is an entry-level 1080p60 transmitter/receiver system featuring a 400' line-of-
Read More
¥1,500
Elgato HD60 S Overview
Record and stream your gaming highlights with low-latency using the Game Capture HD60 S High Defi
Read More
¥1000
1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m² brightness
4K HDMI input/output
AtomHDR technology d
Read More
¥2000
Ditch the keyboard and mouse when editing or doing advanced color correction with the Tangent Devices Element Panels
Read More
¥8,000
Affordable high picture performance
The LMD-2110W is an elegant 21.5-inch widescreen LCD monitor specifically designed t
Read More
¥2000
Adobe RGB | 27 Inch 2560×1440 QHD Resolution 99% Adobe RGB with IPS technology Hardware Calibration with Accurate Color
Read More
¥2000
1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m² brightness
4K HDMI input/output
AtomHDR technology d
Read More
¥2000
Batteries & Chargers
The Panasonic AG-VBR118G is a 7.28V, 86Wh lithium-ion battery for the Panasonic AG-DVX200 camcorder. It features a 11,
Read More
¥800 (Each)
The Panasonic AG-VBR59 is a 7.28V, 43Wh lithium-ion battery for the Panasonic AG-DVX200 and AG-CX10 camcorders. It fea
Read More
¥500
The 7.2V DMW-BLF19 Rechargeable Lithium-Ion Battery Pack from Panasonic has a capacity of 1860mAh, making it poss
Read More
¥Free
Panasonic AG-BRD50P Overview
The Panasonic AG-BRD50 is a 12V dual battery charger for the Panasonic AG-VBR118G
Read More
¥700
Panasonic AG-VBR Overview
The Panasonic AG-VBR59 is a 7.28V, 43Wh lithium-ion battery for the Panasonic AG-DVX
Read More
¥500
The Panasonic AG-VBR89G is a 7.28V, 65Wh lithium-ion battery. It features a 8850mAh capacity and offers a 4-LED powe
Read More
¥500
Furniture
Intricately woven detail graces this rattan grand peacock chair in a natural color. Pair this flared back boho style wov
Read More
¥Free
Others
Meet VL Flock Sheet's twin brother, "IR Flock Sheet"
The near-infrared sensing market has seen a remar
Read More
¥5,000
LET'S CREATE SOMETHING GREAT TOGETHER
