EQUIPMENT RENTAL

機材レンタル
表示価格は全て税抜きです。

基本照明プラン

Standard Lighting Plan
  • 表示価格は全て税抜きです。

全機材プラン

Rent-all Plan
  • 表示価格は全て税抜きです。

有償レンタル

Paid Rental
  • 表示価格は全て税抜きです。

背景布・ペーパー

Backdrops & Paper
  • 表示価格は全て税抜きです。

Standard Lighting Plan

基本照明プラン

~¥1,000 /h (excl. tax)

・プランご利用時に、機材を使用いただかなくとも課金対象となります。
・プラン以外の機材をご希望の場合、リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

Standard Lighting Equipment

Sort By
standard

Rent-all Plan

全機材プラン

~¥3,500 /h (excl. tax)

・カメラ・レンズ、バッテリーは有償レンタルとなります。予めご了承ください。
・プランご利用時に、機材を使用いただかなくとも課金対象となります。
・プラン以外の機材をご希望の場合、リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

Rent-all Equipment

Sort By
Categories
Audio Recording
¥2,000

Yamaha HS Series Monitors

Ever since the 1970’s the iconic white woofer and signature sound of Yamaha’s nearfield reference monitors have become a genuine industry standard for a reason – their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha’s speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5″ model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.
¥2,000
Key Features
  • Indie Filmmaking, Video Content Creation
  • Look-Ahead Limiters Prevent Clipping
  • 4 x High-Gain, Low-Noise Mic Preamps
  • Records 6 Inputs & Stereo Mix
  • Ambisonics, WAV & MP3 Formats
  • Compatible with Zoom Mic Capsules
  • Flexible Powering Options
  • Dual SD Card / USB Interface Recording
  • AutoMix Software Reduces Mix Noise
  • Precision Time Code Reader/Generator
¥1,000
Key Features
  • For Dynamic Microphones
  • Simultaneous Broadcasts on Six Channels
  • 20 Hz - 20 kHz Frequency Response
  • Up to 90' Range

Xvive Audio U3 Overview

Turn your dynamic microphone into wireless with the U3 2.4 GHz Digital Wireless Microphone System from Xvive Audio. It features a 2.4 GHz wireless band, 20 Hz to 20 kHz frequency response, and less than 5 ms latency. The system works up to a 90' range, and includes two rechargeable batteries with a five-hour life for both receiver and transmitter units. The transmitter plugs into a dynamic microphone or into DI or XLR output gear, and the receiver plugs into a live sound mixer, portable PA system, or a recorder. This system broadcasts on six channels simultaneously, and is suitable for live vocals, presentations, video productions, and houses of worship.
¥1,500
Add a pair of compact, clip-on wireless microphones for your two-person interview, YouTube video, documentary production, or vlog with the black LARK 150 2-Person Compact Digital Wireless Microphone System from Hollyland. The LARK 150 features two ultracompact microphone transmitters and a receiver that offer a portable, cost-effective, all-inclusive solution for recording two subjects at once to your camera, smartphone, audio recorder, or similar device with a 3.5mm input jack The tiny transmitters feature built-in omnidirectional microphones and weigh less than 1 oz each, making them easy to clip onto shirt and lapel collars for quick interviews. The integrated mics offer an anti-vibration design with intelligent noise cancellation to ensure outstanding sound quality and clear, intelligible audio. For a more discreet appearance, you can use the included lavalier microphones and plug them into the 3.5mm input ports on the transmitters. The transmitter's power button doubles as a two-way mute button with a short press. The two-channel receiver clips to your camera shoe and features easy-access volume knobs, a 3.5mm headphone monitoring output, a 3.5mm line output, and an easy-to-read OLED screen that shows the connection and battery status of all three units along with metering for audio levels. The system uses automatic frequency selection with FHSS (Frequency Hopping Spread Spectrum) technology in the 2.4 GHz bandwidth to ensure a clean signal without interference or dropouts at a range of to 328' line of sight and 65' with limited obstacles. The receiver also supports switchable safety, stereo, and mono modes for different configurations and a low latency rate of 5ms. Both the transmitters and the receiver feature built-in rechargeable batteries. The transmitters will each run up to 4 hours, while the receiver offers up to 7.5 hours of operating time; this means that for single-person shoots, the second transmitter can be used to extend your shooting time if necessary. The included storage and transport case automatically pairs the components and recharges them in 2.5 hours using its USB input port. A USB cable, 3.5mm TRS audio cable, 3.5mm TRRS cable, two furry windscreens for the lavalier mics, and a storage bag are also supplied with the Lark 150. The system can be expanded with additional transmitters and receivers (available separately) to accommodate up to 8 wireless mics on set at one time.

Professional Sound Quality

Built-in high-sensitivity omnidirectional microphone on transmitters for quick on-the-fly interviews
Anti-vibration sound chamber design
DSP (Digital Signal Processing) intelligent noise cancellation
Two lavalier microphones with furry windscreens included for visually discreet setups

Stable Wireless Audio Transmission

328' line-of-sight operating range with a 5ms latency
Power-On Smart Frequency selection feature automatically finds an open frequency in the 2.4 GHz spectrum
Frequency Hopping Spread Spectrum (FHSS) method hops between available frequencies for optimal wireless transmission

Mono/Stereo/Safety Output Modes

  • Mono: Record a single microphone to both audio tracks in your camera or phone
  • Stereo: Record two mics, with each on a separate track
  • Safety: Record a single mic at a lower level on a separate track as a backup if main track is too loud

Ultracompact Construction

Small and light transmitters weigh less than 1 oz
Charging case that supports fast auto-pairing, upgrade, and storage for the whole system

Additional Features

Power button doubles as two-way mute
Real-time audio monitoring with 3.5mm headphone output on receiver
3.5mm line output on receiver with included TRS cable for camera and TRRS cable for smartphone or mobile device with 3.5mm input jack
¥1,500
AT835b The AT835b has been updated. Click here for more information on the newest model. The length (14.53\") of the AT835b Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.
¥1,500
  • Rycote® Lyre® shock mounting onboard
  • All-new capsule with lower noise and higher sensitivity
  • Broadcast recording quality condenser microphone
  • Compact form factor (150mm/6” length)
  • Ultra lightweight (85g/3oz)
  • 9V battery powered - over 70 hours use (alkaline)
  • Integrated shock mounting
  • Integrated foam windscreen
  • 3.5mm stereo mini-jack output (dual mono)
  • Two step High Pass Filter (flat, 80Hz)
  • Three position level control (-10dB, 0, +20dB)
  • Camera shoe mount with 3/8” thread for easy boompole mounting
  • 10 year extended warranty when you register your microphone
The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera. The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry. The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery. The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
VIDEOMIC PRO SPECIFICATIONS
Acoustic Principle Line Gradient
Active Electronics JFET impedance converter
Capsule 0.50"
Address Type End
Frequency Range 40Hz - 20kHz (selected HPF @80)
Output Impedance 200Ω
Maximum SPL 134dBSPL
Maximum Output Level 6.9mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 14dBA
Weight 85g
Dimensions 100mmH x 75mmW x 170mmD
¥1,500

he RØDE NT1-A 1 inch cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal for vocal microphone as well as perfect for recording guitars and percussion.

Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20-feet microphone cable, dust cover, and an instructional DVD packed with recording tips. The RØDE NT1-A large diaphragm 1 inch cardioid condenser microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

¥1,000
Sample Description B
¥2,000
The AT8015 from Audio-Technica is a line gradient condenser, phantom or battery powered, shotgun microphone with ideal sound rejection from the sides and rear of the mic to capture audio over long distances. It can be used in various environments for applications such as videos, TV broadcasts, and ENG (Electronic News Gathering) productions. It features a roll-off position switch that reduces the pickup of low-frequency ambient noise like traffic, room reverberation, and mechanically coupled vibrations. The microphone comes with a stand clamp, a 5/8” to 3/8” adapter, a windscreen, an AA battery, and a protective carrying case.
¥500
最小縮長 最大伸長 段 数 重 量 価格(税別)
MB203B 745mm 2000mm 3段 480g オープン価格
MB263B 940mm 2600mm 3段 590g オープン価格
MB264B 750mm 2600mm 4段 720g オープン価格
Audio Recording
Yamaha HS Series Monitors Ever since the 1970’s the iconic white woofer and signature sound of Yamaha’s nearfield re Read More
¥2,000
Key Features Indie Filmmaking, Video Content Creation Look-Ahead Limiters Prevent Clipping 4 x High-Gain, Low-Noise Mic Read More
¥2,000
Key Features For Dynamic Microphones Simultaneous Broadcasts on Six Channels 20 Hz - 20 kHz Frequency Response Up to Read More
¥1,000
Add a pair of compact, clip-on wireless microphones for your two-person interview, YouTube video, documentary product Read More
¥1,500
AT835b The AT835b has been updated. Click here for more information on the newest model. The length (14.53\") of th Read More
¥1,500
Rycote® Lyre® shock mounting onboard All-new capsule with lower noise and higher sensitivity Broadcast recording Read More
¥1,500
he RØDE NT1-A 1 inch cardioid condenser microphone has become an industry standard; delivering the warmth, extended dyn Read More
¥1,500
¥1,000
The AT8015 from Audio-Technica is a line gradient condenser, phantom or battery powered, shotgun microphone with ide Read More
¥2,000
最小縮長 最大伸長 段 数 重 量 価格(税別) MB203B 745mm 2000mm 3段 480g オープン価格 MB Read More
¥500
rentall

Backdrops & Background Paper

背景布・ペーパー

¥4,000~/day (excl. tax)

・料金にはセットアップも含まれております。
・予約されますと、ご使用いただかなくとも課金対象となります。
・リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

Backdrops

Sort By
backdrops

How to use the Pholsy Universal Wireless Flash Trigger

Pholsyユニバーサルワイヤレスフラッシュトリガーの使用方法

¥500/day(税抜)

照明プランをお使いいただく際、フラッシュトリガーをお持ちでなければ、ワイヤレストリガーのご利用をお勧め致します。

ご利用の際にはスタッフまでお声がけ下さい。

 

If you do not have a flash trigger when using any studio lights, we recommend using a wireless trigger.

Please ask our staff if you wish to use this device.

Pholsyトランスミッターとカメラのセットアップ

  1. Pholsyトランスミッターをカメラのホットシューマウントにスライドさせます。
  2. ロックリングをきつくなるまで回してください。
  3. カメラ、トランスミッターの順に電源を入れ、撮影モードをマニュアルに設定します。
  4. トランスミッターがチャンネル1であることを確認します。

Pholsyトランスミッターでスタジオ照明のセットアップ

  1. すべての照明がチャンネル1にあることを確認してください。
  2. 次に、どのライトをメインまたは「マスター」ライトにするかを決定する必要があります。
  3. 次に、S1/S2 ボタンを1回押して、他のライトを「スレーブ」モードに設定します。(これは、選択した「マスター」ライトのタイミングに合わせて消灯することを意味します)。
  4. 3.5mmミニジャックを受信機のFLASHポートに接続し、オンになっていることを確認します。
  5. ミニジャックのもう一方の端を、「マスター」ライトの背面にあるSYNCポートに接続します。*接続したまま、受信機を背面からぶら下げることができます。

[注意】ポートに入らない場合は、間違ったケーブルを使用している可能性があります。ポーチの中に見当たらない場合は、スタッフにお尋ねください。

セットアップのテスト

両方の手順が完了したら、カメラに戻って送信機のTESTボタンを押してください。すべてのライトが同時に消灯するはずです。その後、通常通りカメラを使用することができるはずです。

上記の手順をすべて完了しても、ライトが同時に消灯しない場合は、スタッフにご相談ください。

Setup the camera with Pholsy Transmitter

  1. Slide the Pholsy transmitter into the camera’s hot shoe mount.
  2. Turn the locking ring until tight.
  3. Turn on the camera, then transmitter; set the shooting mode to Manual.
  4. Confirm that the transmitter is on Channel 1.

Setup the studio lights with Pholsy Transmitter

  1. Make sure that all lights are on Channel 1.
  2. Next you need to decide which will be the main or “master” light.
  3. Then set the other lights to “slave” mode by pressing the S1/S2 button once. (This means they will go off to the timing of the “master” light you selected.)
  4. Connect the 3.5 mm mini-jack into the FLASH port on the receiver and make sure it is on.
  5. Connect the other end of the mini-jack into the SYNC port on the back of the “master” light. *You can just let the receiver hang off the back while it’s connected.

[Keep in mind] If it’s not going in the port, you may be using the wrong cable. Check the pouch, it should be there. If not, please ask one of the staff.

Test the setup

After you’ve completed both steps, go back to your camera and hit the TEST button on the transmitter. All lights should go off at the same time. Then you should be able to use the camera like normal.

If you’ve completed all the steps above, and the lights are still not going off together, please ask one of our staff for further assistance.

Shoot.
Compose.
CYK Studios.

1640012
東京都中野区本町5-13-6
シャトレ中野新橋 B1

hello@cyk.jp

+81 (0)3 6877 2782

© 2020 Ringmasters LLC

contact-section
wpChatIcon