EQUIPMENT RENTAL

機材レンタル
表示価格は全て税抜きです。

基本照明プラン

Standard Lighting Plan
  • 表示価格は全て税抜きです。

全機材プラン

Rent-all Plan
  • 表示価格は全て税抜きです。

有償レンタル

Paid Rental
  • 表示価格は全て税抜きです。

背景布・ペーパー

Backdrops & Paper
  • 表示価格は全て税抜きです。

Standard Lighting Plan

基本照明プラン

~¥1,000 /h (excl. tax)

・プランご利用時に、機材を使用いただかなくとも課金対象となります。
・プラン以外の機材をご希望の場合、リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

RØDE Microphones - VideoMic Pro

¥1,500

  • Rycote® Lyre® shock mounting onboard
  • All-new capsule with lower noise and higher sensitivity
  • Broadcast recording quality condenser microphone
  • Compact form factor (150mm/6” length)
  • Ultra lightweight (85g/3oz)
  • 9V battery powered - over 70 hours use (alkaline)
  • Integrated shock mounting
  • Integrated foam windscreen
  • 3.5mm stereo mini-jack output (dual mono)
  • Two step High Pass Filter (flat, 80Hz)
  • Three position level control (-10dB, 0, +20dB)
  • Camera shoe mount with 3/8” thread for easy boompole mounting
  • 10 year extended warranty when you register your microphone

The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

VIDEOMIC PRO SPECIFICATIONS
Acoustic Principle Line Gradient
Active Electronics JFET impedance converter
Capsule 0.50"
Address Type End
Frequency Range 40Hz - 20kHz (selected HPF @80)
Output Impedance 200Ω
Maximum SPL 134dBSPL
Maximum Output Level 6.9mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 14dBA
Weight 85g
Dimensions 100mmH x 75mmW x 170mmD
standard

Rent-all Plan

全機材プラン

~¥3,500 /h (excl. tax)

・カメラ・レンズ、バッテリーは有償レンタルとなります。予めご了承ください。
・プランご利用時に、機材を使用いただかなくとも課金対象となります。
・プラン以外の機材をご希望の場合、リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

RØDE Microphones - VideoMic Pro

¥1,500

  • Rycote® Lyre® shock mounting onboard
  • All-new capsule with lower noise and higher sensitivity
  • Broadcast recording quality condenser microphone
  • Compact form factor (150mm/6” length)
  • Ultra lightweight (85g/3oz)
  • 9V battery powered - over 70 hours use (alkaline)
  • Integrated shock mounting
  • Integrated foam windscreen
  • 3.5mm stereo mini-jack output (dual mono)
  • Two step High Pass Filter (flat, 80Hz)
  • Three position level control (-10dB, 0, +20dB)
  • Camera shoe mount with 3/8” thread for easy boompole mounting
  • 10 year extended warranty when you register your microphone

The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

VIDEOMIC PRO SPECIFICATIONS
Acoustic Principle Line Gradient
Active Electronics JFET impedance converter
Capsule 0.50"
Address Type End
Frequency Range 40Hz - 20kHz (selected HPF @80)
Output Impedance 200Ω
Maximum SPL 134dBSPL
Maximum Output Level 6.9mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 14dBA
Weight 85g
Dimensions 100mmH x 75mmW x 170mmD
rentall

Backdrops & Background Paper

背景布・ペーパー

¥4,000~/day (excl. tax)

・料金にはセットアップも含まれております。
・予約されますと、ご使用いただかなくとも課金対象となります。
・リスト上に表記されるレンタル料金(1回)が発生いたします。
・表記は消費税抜価格です。
・各種料金は予告なく変更する場合がございます。

RØDE Microphones - VideoMic Pro

¥1,500

  • Rycote® Lyre® shock mounting onboard
  • All-new capsule with lower noise and higher sensitivity
  • Broadcast recording quality condenser microphone
  • Compact form factor (150mm/6” length)
  • Ultra lightweight (85g/3oz)
  • 9V battery powered - over 70 hours use (alkaline)
  • Integrated shock mounting
  • Integrated foam windscreen
  • 3.5mm stereo mini-jack output (dual mono)
  • Two step High Pass Filter (flat, 80Hz)
  • Three position level control (-10dB, 0, +20dB)
  • Camera shoe mount with 3/8” thread for easy boompole mounting
  • 10 year extended warranty when you register your microphone

The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

VIDEOMIC PRO SPECIFICATIONS
Acoustic Principle Line Gradient
Active Electronics JFET impedance converter
Capsule 0.50"
Address Type End
Frequency Range 40Hz - 20kHz (selected HPF @80)
Output Impedance 200Ω
Maximum SPL 134dBSPL
Maximum Output Level 6.9mV (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 14dBA
Weight 85g
Dimensions 100mmH x 75mmW x 170mmD
backdrops

How to use the Pholsy Universal Wireless Flash Trigger

Pholsyユニバーサルワイヤレスフラッシュトリガーの使用方法

¥500/day(税抜)

照明プランをお使いいただく際、フラッシュトリガーをお持ちでなければ、ワイヤレストリガーのご利用をお勧め致します。

ご利用の際にはスタッフまでお声がけ下さい。

 

If you do not have a flash trigger when using any studio lights, we recommend using a wireless trigger.

Please ask our staff if you wish to use this device.

Pholsyトランスミッターとカメラのセットアップ

  1. Pholsyトランスミッターをカメラのホットシューマウントにスライドさせます。
  2. ロックリングをきつくなるまで回してください。
  3. カメラ、トランスミッターの順に電源を入れ、撮影モードをマニュアルに設定します。
  4. トランスミッターがチャンネル1であることを確認します。

Pholsyトランスミッターでスタジオ照明のセットアップ

  1. すべての照明がチャンネル1にあることを確認してください。
  2. 次に、どのライトをメインまたは「マスター」ライトにするかを決定する必要があります。
  3. 次に、S1/S2 ボタンを1回押して、他のライトを「スレーブ」モードに設定します。(これは、選択した「マスター」ライトのタイミングに合わせて消灯することを意味します)。
  4. 3.5mmミニジャックを受信機のFLASHポートに接続し、オンになっていることを確認します。
  5. ミニジャックのもう一方の端を、「マスター」ライトの背面にあるSYNCポートに接続します。*接続したまま、受信機を背面からぶら下げることができます。

[注意】ポートに入らない場合は、間違ったケーブルを使用している可能性があります。ポーチの中に見当たらない場合は、スタッフにお尋ねください。

セットアップのテスト

両方の手順が完了したら、カメラに戻って送信機のTESTボタンを押してください。すべてのライトが同時に消灯するはずです。その後、通常通りカメラを使用することができるはずです。

上記の手順をすべて完了しても、ライトが同時に消灯しない場合は、スタッフにご相談ください。

Setup the camera with Pholsy Transmitter

  1. Slide the Pholsy transmitter into the camera’s hot shoe mount.
  2. Turn the locking ring until tight.
  3. Turn on the camera, then transmitter; set the shooting mode to Manual.
  4. Confirm that the transmitter is on Channel 1.

Setup the studio lights with Pholsy Transmitter

  1. Make sure that all lights are on Channel 1.
  2. Next you need to decide which will be the main or “master” light.
  3. Then set the other lights to “slave” mode by pressing the S1/S2 button once. (This means they will go off to the timing of the “master” light you selected.)
  4. Connect the 3.5 mm mini-jack into the FLASH port on the receiver and make sure it is on.
  5. Connect the other end of the mini-jack into the SYNC port on the back of the “master” light. *You can just let the receiver hang off the back while it’s connected.

[Keep in mind] If it’s not going in the port, you may be using the wrong cable. Check the pouch, it should be there. If not, please ask one of the staff.

Test the setup

After you’ve completed both steps, go back to your camera and hit the TEST button on the transmitter. All lights should go off at the same time. Then you should be able to use the camera like normal.

If you’ve completed all the steps above, and the lights are still not going off together, please ask one of our staff for further assistance.

Shoot.
Compose.
CYK Studios.

1640012
東京都中野区本町5-13-6
シャトレ中野新橋 B1

hello@cyk.jp

+81 (0)3 6877 2782

© 2020 Ringmasters LLC

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