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All prices shown are exclusive of JCT.

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Cameras & Lenses
¥500
Lightweight and exceptionally compact, the silver E 16mm f/2.8 Lens from Sony is a suitable travel companion. Providing a 24mm equivalent focal length when mounted to your APS-C-format E-mount camera, this lens will allow photographers to capture wide landscapes and work in tight spaces with ease. It offers a fast maximum aperture of f/2.8 for operating in low-light conditions and it incorporates one aspherical element to combat various aberrations that may occur. Also, it has a fast and silent motor for autofocus in stills and video modes and features an internal focus design that ensures maximum performance. A seven-blade circular diaphragm is implemented as well for smooth bokeh. Additionally, it can accept optional ultra-wide and fisheye converters for getting 18mm and 15mm equivalent perspectives.
With its pancake design, the lens only extends 0.9" from the mount, resulting in a compact and lightweight camera system.
Designed for use on APS-C format cameras, this 16mm lens will provide a wide-angle perspective with a 35mm equivalent focal length of 24mm.
The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field.
One aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
The lens uses an internal focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 9.4".
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
This lens is compatible with optical wide-angle and fisheye conversion lenses, which, when used, will convert this lens into an 18mm or 15mm lens, respectively.
¥1,500
A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. A ZERO lens coating has also been applied to improve contrast when working in strong lighting conditions. Beyond the advanced lens design, this zoom is also characterized by its constant f/2.8 maximum aperture, as well as its durable weather-sealed construction for working in a variety of conditions. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods.
Standard wide-angle to portrait-length zoom lens is designed for Micro Four Thirds mirrorless cameras and provides a 24-80mm equivalent focal length range.
Constant f/2.8 maximum aperture enables consistent low-light performance and selective focus control throughout the zoom range.
The lens construction integrates one aspherical ED (extra-low dispersion) element, two aspherical elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, one HD element, and two HR (high-refractive index) elements into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust-, freeze-, and drip-proof design ensure the lens' performance in inclement and harsh conditions.
Rounded seven-blade diaphragm produces a smooth bokeh quality.
¥3,500
Panasonic has taken a different approach to camera development with the stills-focused DC-G9 Micro Four Thirds Mirrorless Camera, which has a variety of newly developed functions and features that will appeal to photographers. Central to the imaging process is the combination of a 20.3MP Live MOS sensor and the latest Venus Engine processor, enabling the capture of sharp images and video with sensitivities ranging up to ISO 25600. Extremely fast speeds are also made available with up to 60 fps continuous shooting with the electronic shutter function. If you want to shoot video along with stills the G9 is very accommodating, offering UHD 4K at up to 60p. This improved speed is seen in many different aspects, including an enhanced Depth-from-Defocus autofocus system with 225 areas for fast, precise focusing across the frame. A rear joystick has been implemented as well for intuitive control over the current focus point. Another benefit of boosted processing is the inclusion of 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps, allowing users to capture 18MP or 8MP images, respectively, at exceptional frame rates. Beyond speed, the 5-axis sensor stabilization system supports Dual I.S. 2.0 and can compensate for up to six stops of camera shake. And a significant addition made possible with this new system is a multi-shot mode that captures eight separate images and compiles them into a single 80MP raw image. It isn't just performance that has been optimized, as the G9 has a redesigned body that is splash, dust, and freezeproof. The body gains a top status LCD for quick access to essential settings without needing to check the LCD or viewfinder, which have also been improved. Most notably, the OLED viewfinder is improved with a 0.83x magnification and 3.68m-dot resolution. The EVF has a fast 120 fps refresh rate as well for lag-free viewing. Additionally, the LCD is now a 3.0" 1.04m-dot free-angle touchscreen for working intuitively and at odd angles.

20.3MP Digital Live MOS Sensor and Venus Engine

Optimized for high-speed high-resolution imaging, the G9 packs in both a 20.3MP Light MOS Micro Four Thirds sensor and an enhanced Venus Engine processor to create sharp, detailed stills and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, permitting the use of sensitivities up to ISO 25600. It is also very fast, enabling continuous shooting rates of up to 60 fps with AF-S and 20 fps with AF-C when using the G9's electronic shutter or 12 fps for AF-S and 9 fps for AF-C using the mechanical shutter.

UHD 4K Video Recording

Supplementing the camera's stellar stills feature set is UHD 4K video recording at up to 60p. The G9 offers 30p internal recording with a 10-bit color depth and 4:2:2 sampling using Long GOP compression to keep files sizes manageable. Users also have access to various frame rates, including 60p, 30p, and 24p in UHD 4K and 60p and 24p in Full HD. Slow motion video is available in the Variable Frame Rate mode with support for 60 and 48 fps resolution in UHD 4K and up to 180 fps in Full HD. Additionally, HDR recording is supported and V-Log L recording is possible with the optional DMW-SFU1 Upgrade Software Key. In order to maximize image quality, the G9 features a full-size HDMI output for using an optional external recorder to receive 10-bit 4:2:2 footage at all resolutions up to UHD 4K at 60p. Also, both a 3.5mm headphone jack and 3.5mm microphone input are available for improving audio capture.

6K and 4K PHOTO

Utilizing the G9's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Dual I.S. 2

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the G9's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately six stops of camera shake.

Body Design and Built-In Wi-Fi

  • A large OLED Live View Finder has an impressive 3.86m-dot resolution and 0.83x magnification for eye-level composition. This viewfinder also has a maximum refresh rate of 120 fps for clear, lag-free imagery.
  • A larger means for image composition and playback, the 3.0" 1.04m-dot rear LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
  • A backlit top status LCD provides immediate access to current settings without needing to raise the camera to eye level.
  • Dual UHS-II SD card slots are present, which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which records the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
  • Constructed from magnesium alloy with a die-cast frame, the G9 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
  • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
  • The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, including a function lever.
  • Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.

225-Area Advanced Depth-From-Defocus AF System

For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.04 seconds, which enables continuous shooting up to 20 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV. Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

80MP High Resolution Mode

By using sensor-shift stabilization technology the G9 can use a High Resolution Mode to capture and compile eight separate images to create a single 80MP raw file. This system creates a more highly detailed and color accurate image than a single shot alone can produce and can create an image with a 10368 x 7776 resolution.

Other Camera Features

  • A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec, as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/32,000 sec to better enable working in bright conditions and with wider aperture settings. This shutter is rated for approximately 200,000 actuations.
  • A Night Mode will automatically adjust brightness of the EVF and LCD for comfortable viewing in low-light conditions.
  • An optional external USB power pack can be used to supply power to the camera via its micro-USB port.
  • Depending on the lens in use, the included DMW-BLF19 battery provides approximately 380 shots per charge when using the rear monitor, or 360 with the electronic viewfinder.
  • Photo Style modes: Standard, Vivid, Natural, Monochrome, L. Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
  • Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.
¥3,500
A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is a 20-50mm-equivalent zoom for Micro Four Thirds mirrorless cameras. The impressively fast f/1.7 constant maximum aperture enables improved depth of field control and low-light shooting capabilities throughout the zoom range. Balancing the impressive f/1.7 performance, the optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. Complementing the optics, this lens is also characterized by its durable, weather-sealed physical design, along with a fast autofocus system, versatile focusing clutch design, and a stepless, de-clicked aperture ring to suit video applications.
Wide-to-normal zoom is designed for Micro Four Thirds mirrorless cameras and offers a 20-50mm equivalent focal length range.
Impressively bright f/1,7 constant maximum aperture excels in low-light conditions throughout the zoom range and also offers improved depth of field control.
Three aspherical elements, four extra-low dispersion elements, and one ultra high-refractive index element all combine to suppress color fringing, chromatic aberrations, and spherical aberrations for high clarity, sharpness, and color accuracy.
Fast 240 fps autofocus drive, along with an internal focusing system, delivers smooth, accurate, and quiet focusing performance to benefit both stills and video applications. Additionally, a focus clutch mechanism delivers especially quick AF/MF switching.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
¥3,500
Versatility within a short telephoto range, the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH., from Panasonic, is a 50-100mm-equivalent zoom for Micro Four Thirds mirrorless cameras. Ideal for portraiture, fashion, events, and other mid-range subjects, this lens pairs the useful focal length range with an impressively bright constant f/1.7 maximum aperture, advanced optics, and a portable form factor.
Normal-to-short-tele zoom is designed for Micro Four Thirds mirrorless cameras and offers a 50-100mm equivalent focal length range.
Super bright f/1.7 constant maximum aperture excels in low-light conditions and offers impressive depth of field control throughout the zoom range.
One aspherical element, three extra-low dispersion elements, and one ultra high-refractive index element all combine to produce well-controlled imagery void of color fringing, chromatic aberrations and spherical aberrations.
Linear AF motor, and an internal focusing system, delivers quick and quiet focusing performance along with virtually no focus breathing throughout the focusing range from 11" to infinity.
Focus clutch mechanism allows for intuitive switching between AF and MF modes, simply by sliding the focusing ring, and if paired with select Lumix cameras, Focus Ring Control can be used to tune the focus rotation feeling.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Designed to closely match the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. lens, these two zooms are nearly identical in terms of form factor and weight, share the same 77mm filter ring diameter, and have unified color rendering for seamless switching between the two lenses.
¥5,000 (Each)
Moving the LUMIX camera range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a modular, box-style digital cinema camera with a miniature form factor, making it ideal for gimbal and drone work as well as broadcast, live streaming, vlogging, and cinema production. This box-style digital cinema camera features a 10.2MP M4/3 sensor, an MFT lens mount, and a wide 13-stop dynamic range to accommodate extreme changes in light. It records video with resolutions up to 4K60 and incorporates VariCam Look workflows such as V-Log L and Cinelike, dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and it supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny form that make it the go-to production camera in any mobile and multicamera production environment. The BGH1 provides multiple ways to record your footage to high data rate files in the ALL-Intra Long GOP, MOV, and MP4 recording formats with H.264 and H.265/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera's dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via 3G-SDI. The camera allows you to output via HDMI and 3G-SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates up to 1080p240 for high-quality slow-motion video. Custom 3D LUTs can be uploaded into the camera using the SD card slots. The BGH1 is also an ideal camera for multicamera environments, not only because it's highly mobile, but it includes timecode and genlock BNC ports, so you can sync up with other cameras to make syncing in post-production easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BGH1 cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet using the LUMIX Sync app. Another function integrated into the BGH1 is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BGH1 cameras. There is also a 2.5mm LANC input for an additional camera control option with an optional external controller. Audio features include high-grade 48 kHz/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized using the camera's integrated hot shoe, allowing you to record with professional microphones. Its compact form measures less than 4" square and weighs only 1.2 lb, so it can be used on gimbals or drones for high-quality stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features four 1/4"-20 mounting threads for mounting on a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing, as well as tally lights on the front and rear. You can power the BGH1 using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment. There is also a cable lock included for keeping your camera cables secure, so they don't disconnect.

Key Features

  • M4/3 10.2MP MOS sensor
  • Anamorphic video support
  • MFT lens mount
  • 13 stops of dynamic range
  • Dual native ISO
  • Lightweight at 1.2 lb
  • Internal fan to keep camera cool
  • Measures less than 4" square for lightweight applications on drones or gimbals
  • HDMI 2.0 and 3G-SDI video outputs
  • Record up to 4K60 10-bit 4:2:2 to SD cards or HDMI/3G-SDI outputs simultaneously
  • Unlimited recording time
  • USB 3.1 Gen 1 Type-C input for control with LUMIX Tether app
  • 2.5mm LANC input for camera control
  • Gigabit Ethernet via RJ45 for remote control and PoE+ power support
  • Direct IP streaming with a future firmware update
  • Wi-Fi and Bluetooth support to control the camera using a smartphone or tablet
  • Integrated stereo microphone, 3.5mm mic input, and 3.5mm headphone output
  • The optional DMW-XLR1 XLR adapter can be installed using the camera's hot shoe
  • Four programmable Fn buttons
  • Tally lights on front and rear
  • Genlock BNC input/output
  • Timecode BNC input/output
  • Dual SD card slots
  • Included 12 VDC power adapter
  • Integrated VBR battery mount
  • Cable lock
¥500
Sony E 55-210mm f/4.5-6.3 OSS Overview An ideal complement to many kit zooms, the silver E 55-210mm f/4.5-6.3 OSS Lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low dispersion elements and two aspherical elements users will enjoy images with minimal aberrations. Also, thanks to Optical SteadyShot image stabilization, camera shake will be dramatically reduced, resulting in sharper images. An internal focus design enables fast, responsive AF and a minimum focus distance of 3.3\'. Additionally, it has a seven-blade circular diaphragm for smooth, rounded bokeh. Designed for APS-C-format cameras, this 55-210mm lens perfectly complements many kit zooms by providing an 82.5-315mm equivalent focal length range for telephoto applications. A variable f/4.5-6.3 maximum aperture helps keep overall lens size and weight to a minimum. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera\'s sensor-shift type image stabilization for more effective control of camera blur. An internal focus mechanism contributes to faster, more responsive autofocus, the minimum focus distance of 3.3\', and easier handling as the lens does not change in length during use. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
¥500
Sony SEL1855 Overview A versatile standard zoom, the silver E 18-55mm f/3.5-5.6 OSS Lens from Sony is a wide-angle to short-telephoto designed for APS-C-format E-mount mirrorless cameras. The 27-82.5mm equivalent focal length range is benefitted by Optical SteadyShot image stabilization, which compensates for up to four stops of camera shake to produce sharper images when shooting handheld in difficult lighting situations. Also contributing to notable sharpness, the optical design incorporates aspherical elements to reduce spherical aberrations throughout the zoom range for increased clarity and minimized distortion. Rounding out this 18-55mm f/3.5-5.6 is a sleek form factor that is well-matched to E-mount mirrorless cameras, along with a durable aluminum alloy finish. Standard zoom 18-55mm lens is designed for APS-C-format E-mount mirrorless cameras, and provides a wide-to-portrait length 27-82.5mm equivalent focal length range. Aspherical elements are employed in the optical design to control spherical aberrations throughout the zoom range for increased clarity and sharpness. Optical SteadyShot image stabilization minimizes the appearance of camera shake by up to four stops for sharper handheld images. An internal focusing mechanism delivers quick, quiet, and precise autofocus that is well-suited to both stills and video applications. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality. Aluminum alloy finish is both aesthetic as well as durable.
¥500
Metabones MB_LM-E-BT2 Overview Mount your Leica M lens to your Sony E-mount camera with this T Adapter from Metabones. Precision-crafted from brass and given chromium plating, this adapter is designed for daily use and will guarantee infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods. While this adapter allows users to mount a Leica M lens on their Sony E-mount camera, automatic functions such as autofocus and electronic aperture control will not be supported.
¥15000
Super 35mm 8.3MP CMOS Sensor ISO 320 to 80,000 Dual Pixel CMOS AF Hardware Upgrade EF Lens Mount Uncompressed HDMI Output with Timecode Dual SD/SDHC/SDXC Memory Card Slots 2 XLR Audio Connectors Canon Log & Wide DR Gamma || Built-In ND Filters with Manual Controls Including al other lenses and accessories.
¥Inc.

Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens
This high-magnification zoom lens is the smallest and lightest in its class, offering ideal cost-performance. A lightweight glass material was used for the first element group – the heaviest group in the optical system – to reduce operational load during autofocus operation. Combined with the micro USM, the autofocus is quick and quiet. The slim exterior and smooth zooming makes this lens a delight to use.

Filter size: 58mm
Maximum aperture: f/4 – 5.6
With micro USM motor

¥Inc.

The EF-S 10–18mm f/4.5–5.6 IS STM lens combines optical excellence with cutting-edge performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS cameras with an APS-C sensor. It has a 4 group optical zoom system and includes a large-diameter element, an aspherical lens element, a UD lens element and enhanced lens coatings for high-contrast, high-resolution images with minimal glare and aberration. A circular, 7-blade aperture helps ensure fine background blur and the Canon Optical Image Stabilizer system provides up to four equivalent stops of shake correction. The lens has a stepping motor (STM) and a refined focus mechanism for smooth and continuous AF during video recording. It also has a rear focusing system, plus a high speed CPU and improved AF algorithm for high-speed AF; and offers full-time manual focus for quick adjustments. The EF-S 10–18mm f/4.5–5.6 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for everyday photography, travel, stills and video recording.

Cameras & Lenses
Lightweight and exceptionally compact, the silver E 16mm f/2.8 Lens from Sony is a suitable travel companion Read More
¥500
A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus Read More
¥1,500
Panasonic has taken a different approach to camera development with the stills-focused DC-G9 Micro Four Thirds Read More
¥3,500
A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic Read More
¥3,500
Versatility within a short telephoto range, the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH., from Panasonic, i Read More
¥3,500
Moving the LUMIX camera range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a mod Read More
¥5,000 (Each)
Sony E 55-210mm f/4.5-6.3 OSS Overview An ideal complement to many kit zooms, the silver E 55-210mm f/4.5-6.3 OSS Lens Read More
¥500
Sony SEL1855 Overview A versatile standard zoom, the silver E 18-55mm f/3.5-5.6 OSS Lens from Sony is a wide-angle to s Read More
¥500
Metabones MB_LM-E-BT2 Overview Mount your Leica M lens to your Sony E-mount camera with this T Adapter from Metabones. Read More
¥500
Super 35mm 8.3MP CMOS Sensor ISO 320 to 80,000 Dual Pixel CMOS AF Hardware Upgrade EF Lens Mount Uncompressed HDMI Out Read More
¥15000
Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens This high-magnification zoom lens is the smallest and lightest in its Read More
¥Inc.
The EF-S 10–18mm f/4.5–5.6 IS STM lens combines optical excellence with cutting-edge performance, providing an ultra Read More
¥Inc.

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