RENTAL EQUIPMENT

レンタル機材
表示価格は全て税抜きです。

基本照明プラン

Standard Lighting Plan
  • 表示価格は全て税抜きです。

全機材プラン

Rent-all Plan
  • 表示価格は全て税抜きです。

有償レンタル

Paid Rental
  • 表示価格は全て税抜きです。

Background cloth and paper

Backdrops & Paper
  • 表示価格は全て税抜きです。

Standard Lighting Plan

基本照明プラン

~¥1,000 /h (excl. tax)

・You will be charged even if you do not use the equipment when you use the plan.
・If you wish to use equipment not included in the plan, a one-time rental fee will be charged as indicated on the list.
・All prices are exclusive of consumption tax.
・Prices are subject to change without notice.

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.

¥3,500

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.-image

A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is a 20-50mm-equivalent zoom for Micro Four Thirds mirrorless cameras. The impressively fast f/1.7 constant maximum aperture enables improved depth of field control and low-light shooting capabilities throughout the zoom range. Balancing the impressive f/1.7 performance, the optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. Complementing the optics, this lens is also characterized by its durable, weather-sealed physical design, along with a fast autofocus system, versatile focusing clutch design, and a stepless, de-clicked aperture ring to suit video applications.

Wide-to-normal zoom is designed for Micro Four Thirds mirrorless cameras and offers a 20-50mm equivalent focal length range.
Impressively bright f/1,7 constant maximum aperture excels in low-light conditions throughout the zoom range and also offers improved depth of field control.
Three aspherical elements, four extra-low dispersion elements, and one ultra high-refractive index element all combine to suppress color fringing, chromatic aberrations, and spherical aberrations for high clarity, sharpness, and color accuracy.
Fast 240 fps autofocus drive, along with an internal focusing system, delivers smooth, accurate, and quiet focusing performance to benefit both stills and video applications. Additionally, a focus clutch mechanism delivers especially quick AF/MF switching.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
standard

Rent-all Plan

全機材プラン

~¥3,500 /h (excl. tax)

・Cameras, lenses and batteries are rented for a fee. Please be aware of this in advance.
・You will be charged even if you do not use the equipment when you use the plan.
・If you wish to use equipment not included in the plan, a one-time rental fee will be charged as indicated on the list.
・All prices are exclusive of consumption tax.
・Prices are subject to change without notice.

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.

¥3,500

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.-image

A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is a 20-50mm-equivalent zoom for Micro Four Thirds mirrorless cameras. The impressively fast f/1.7 constant maximum aperture enables improved depth of field control and low-light shooting capabilities throughout the zoom range. Balancing the impressive f/1.7 performance, the optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. Complementing the optics, this lens is also characterized by its durable, weather-sealed physical design, along with a fast autofocus system, versatile focusing clutch design, and a stepless, de-clicked aperture ring to suit video applications.

Wide-to-normal zoom is designed for Micro Four Thirds mirrorless cameras and offers a 20-50mm equivalent focal length range.
Impressively bright f/1,7 constant maximum aperture excels in low-light conditions throughout the zoom range and also offers improved depth of field control.
Three aspherical elements, four extra-low dispersion elements, and one ultra high-refractive index element all combine to suppress color fringing, chromatic aberrations, and spherical aberrations for high clarity, sharpness, and color accuracy.
Fast 240 fps autofocus drive, along with an internal focusing system, delivers smooth, accurate, and quiet focusing performance to benefit both stills and video applications. Additionally, a focus clutch mechanism delivers especially quick AF/MF switching.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
rentall

Backdrops & Background Paper

Background cloth and paper

¥4,000~/day (excl. tax)

・Setup is included in the price.
・Once a reservation is made, you will be charged even if you do not use the equipment.
・The rental fee (one time) shown on the list will be charged.
・All prices are exclusive of consumption tax.
・Rates are subject to change without notice.

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.

¥3,500

LEICA DG VARIO-SUMMILUX 10-25mm/F1.7 ASPH.-image

A unique lens with a distinctly bright design, the Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. from Panasonic is a 20-50mm-equivalent zoom for Micro Four Thirds mirrorless cameras. The impressively fast f/1.7 constant maximum aperture enables improved depth of field control and low-light shooting capabilities throughout the zoom range. Balancing the impressive f/1.7 performance, the optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. Complementing the optics, this lens is also characterized by its durable, weather-sealed physical design, along with a fast autofocus system, versatile focusing clutch design, and a stepless, de-clicked aperture ring to suit video applications.

Wide-to-normal zoom is designed for Micro Four Thirds mirrorless cameras and offers a 20-50mm equivalent focal length range.
Impressively bright f/1,7 constant maximum aperture excels in low-light conditions throughout the zoom range and also offers improved depth of field control.
Three aspherical elements, four extra-low dispersion elements, and one ultra high-refractive index element all combine to suppress color fringing, chromatic aberrations, and spherical aberrations for high clarity, sharpness, and color accuracy.
Fast 240 fps autofocus drive, along with an internal focusing system, delivers smooth, accurate, and quiet focusing performance to benefit both stills and video applications. Additionally, a focus clutch mechanism delivers especially quick AF/MF switching.
Physical aperture ring has a stepless, de-clicked design for smooth, silent aperture switching to benefit video applications.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.
backdrops

How to use the Pholsy Universal Wireless Flash Trigger

Pholsyユニバーサルワイヤレスフラッシュトリガーの使用方法

¥500/day(税抜)

照明プランをお使いいただく際、フラッシュトリガーをお持ちでなければ、ワイヤレストリガーのご利用をお勧め致します。

ご利用の際にはスタッフまでお声がけ下さい。

 

If you do not have a flash trigger when using any studio lights, we recommend using a wireless trigger.

Please ask our staff if you wish to use this device.

Pholsyトランスミッターとカメラのセットアップ

  1. Pholsyトランスミッターをカメラのホットシューマウントにスライドさせます。
  2. ロックリングをきつくなるまで回してください。
  3. カメラ、トランスミッターの順に電源を入れ、撮影モードをマニュアルに設定します。
  4. トランスミッターがチャンネル1であることを確認します。

Pholsyトランスミッターでスタジオ照明のセットアップ

  1. すべての照明がチャンネル1にあることを確認してください。
  2. 次に、どのライトをメインまたは「マスター」ライトにするかを決定する必要があります。
  3. 次に、S1/S2 ボタンを1回押して、他のライトを「スレーブ」モードに設定します。(これは、選択した「マスター」ライトのタイミングに合わせて消灯することを意味します)。
  4. 3.5mmミニジャックを受信機のFLASHポートに接続し、オンになっていることを確認します。
  5. ミニジャックのもう一方の端を、「マスター」ライトの背面にあるSYNCポートに接続します。*接続したまま、受信機を背面からぶら下げることができます。

[注意】ポートに入らない場合は、間違ったケーブルを使用している可能性があります。ポーチの中に見当たらない場合は、スタッフにお尋ねください。

セットアップのテスト

両方の手順が完了したら、カメラに戻って送信機のTESTボタンを押してください。すべてのライトが同時に消灯するはずです。その後、通常通りカメラを使用することができるはずです。

上記の手順をすべて完了しても、ライトが同時に消灯しない場合は、スタッフにご相談ください。

Setup the camera with Pholsy Transmitter

  1. Slide the Pholsy transmitter into the camera’s hot shoe mount.
  2. Turn the locking ring until tight.
  3. Turn on the camera, then transmitter; set the shooting mode to Manual.
  4. Confirm that the transmitter is on Channel 1.

Setup the studio lights with Pholsy Transmitter

  1. Make sure that all lights are on Channel 1.
  2. Next you need to decide which will be the main or “master” light.
  3. Then set the other lights to “slave” mode by pressing the S1/S2 button once. (This means they will go off to the timing of the “master” light you selected.)
  4. Connect the 3.5 mm mini-jack into the FLASH port on the receiver and make sure it is on.
  5. Connect the other end of the mini-jack into the SYNC port on the back of the “master” light. *You can just let the receiver hang off the back while it’s connected.

[Keep in mind] If it’s not going in the port, you may be using the wrong cable. Check the pouch, it should be there. If not, please ask one of the staff.

Test the setup

After you’ve completed both steps, go back to your camera and hit the TEST button on the transmitter. All lights should go off at the same time. Then you should be able to use the camera like normal.

If you’ve completed all the steps above, and the lights are still not going off together, please ask one of our staff for further assistance.

© 2020 Ringmasters LLC

1640012
5-13-6 Honmachi, Nakano-ku, Tokyo
Chatelet Nakano Shimbashi B1

hello@cyk.jp

+81 (0)3 6877 2782

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